Comment – Page 12
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CommentVoiceover should not be the default option for docs
A useful technique in directors’ bag of tools has been blunted by overuse, argues James Rogan
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CommentIt’s hip to be a documentarian
Forget drama and entertainment, being a ‘film-maker’ is where it’s at, says Steven D Wright
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CommentTiming is everything in TV comedy
With the global demand for IP, it feels right to work with an old friend, says Maurice Gran
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CommentComedy should open the doors to everyone
Comedians need room to experiment and take risks to find an audience, says Jon Jayson
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CommentAI is rewriting the TV script
Focus groups are one thing, but could a machine ever replace the writer? asks Kate Bulkley
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CommentHow we're preparing to broadcast the 'biggest' music festival
The Biggest Weekend is unlike any live music event the BBC has put on before, says Alison Howe
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CommentBring back the Seaside Special
Summer telly used to be something to look forward to – not any more, says Steven D Wright
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CommentWhy my series took a decade to get commissioned
Navy warship docs had to wait until the time was right, says Chris Terrill
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CommentEntertainment is alive and kicking
Discipline, collaboration and hard work over a long gestation period are key, says Peter Salmon
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CommentWhy C5 put housing centre stage
From Grenfell to our partnership with Crisis, it was beholden on us to tackle the biggest issue facing modern Britain, says Guy Davies
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CommentGoing gets tough for Aussie docs
Ambition remains intact but securing financing is increasingly hard, says Lilla Hurst
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CommentTime to step up a gear on sustainability
We must make tougher demands of our suppliers, says Howard Ella
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CommentThe rise of Asian factual production
The continent is increasingly open to co-pros, says Julian Chou-Lambert
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CommentComedy must risk causing offence
If we are to challenge prejudice, we need to be able to push boundaries, says Louise Holmes
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CommentHow a TV doc became a West End show
Jes Wilkins and Jenny Popplewell on changing minds and lives with Jamie: Drag Queen At 16
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CommentMaking the step into high-end drama
What increased demand for high-end TV productions means for skills training
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CommentSky facing crucial tipping point
Bold new drama slate offers best chance of securing a breakout hit