Comment – Page 12
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CommentSome stories never grow old
Events like the 1969 Manson murders will always fascinate audiences, says Richard Dale
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CommentSmart scheduling boosts Bodyguard
Double-ep debuts and stripped shows help linear TV hold firm
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CommentLet’s bring back entertainment
The king of TV genres has lost its crown but may have a new champion, says Steven D Wright
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CommentThe future is bright for formats
Queer Eye and our new Netflix gameshow prove the genre is alive and kicking, says Tom Popay
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CommentYouth puzzle needs broad remedy
Mainstream channels must be part of response to 16-34 conundrum
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CommentTaking celebrity travelogue into uncharted territory
Our Russia and North Korea films mark a big step forward for ITNP, says Will Smith
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CommentDrama heads have lost the plot
TV schedules are stuffed with glossy shows with nonsensical stories, says Steven D Wright
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CommentHow to write a one-page drama pitch
Award-winning writer Dominic Carver offers his top tips for catching a commissioner’s eye
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CommentDrama strategy needs a rethink
As production costs rise, free-to-air broadcasters will struggle to compete, says Simon Cornwell
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CommentStudio Lambert: 10 years in the making
As Studio Lambert reaches its 10th anniversary, founder Stephen Lambert considers some of the indie’s most pivotal shows
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CommentDiversity needs to go hand in hand with representation
Storytellers from different backgrounds are key to creating authenticity, says Alex Lamb
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CommentOnline docs have come of age with the rise of new platforms
The range of outlets with money to spend at Doc/Fest is telling, says Derren Lawford
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CommentDoc/Fest is playing its part in introducing new voices
We’re passionate about creating pathways for a new wave of storytellers, says Liz McIntyre
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CommentVoiceover should not be the default option for docs
A useful technique in directors’ bag of tools has been blunted by overuse, argues James Rogan
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CommentIt’s hip to be a documentarian
Forget drama and entertainment, being a ‘film-maker’ is where it’s at, says Steven D Wright
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CommentTiming is everything in TV comedy
With the global demand for IP, it feels right to work with an old friend, says Maurice Gran
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CommentComedy should open the doors to everyone
Comedians need room to experiment and take risks to find an audience, says Jon Jayson
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CommentAI is rewriting the TV script
Focus groups are one thing, but could a machine ever replace the writer? asks Kate Bulkley
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CommentHow we're preparing to broadcast the 'biggest' music festival
The Biggest Weekend is unlike any live music event the BBC has put on before, says Alison Howe
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CommentBring back the Seaside Special
Summer telly used to be something to look forward to – not any more, says Steven D Wright