Comment – Page 3
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Jane Millichip: there’s no ‘norm’ in drama funding
Producers need to be agile as models evolve and new players emerge
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Andy Harries: how SVoDs changed everything
Streamers transformed the sector, but PSBs can still punch above their weight
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Gazing into the past and future
Genuinely distinctive content is best response to a host of challenges
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Branding needs to be more flexible as viewing changes
New platforms like Instagram and Snapchat require a different approach, says Rob Coke
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‘Big local’ is key to SVoD wars
With giants like Disney entering the fray, niche players need a global mindset, says Kate Bulkley
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We all gain from transparency
Netflix is sharing data, Broadcast is tweaking comments policy
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Disney+ focus will challenge Netflix breadth
Represents the first credible threat to its rivals’ position at the top of the SVoD tree, says Broadcast Intelligence’s analyst team
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Are PSBs up for the SVoD fight?
As more streaming services launch, broadcasters are learning to push back, says Kate Bulkley
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Britbox: hard work starts here
Platform is the right step for the PSBs, but the challenges are huge
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Staying ahead of the game
Broadcasters have to think outside the linear box to keep pace with rivals, says Kate Bulkley
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Fight for rights is hotting up
Original programming is key to BBCS’ feud with Discovery over UKTV, says Kate Bulkley
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Netflix faces bumpy road ahead
As rivals raise their game, the SVoD player needs to look beyond content, says Kate Bulkley
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Bandersnatch: an experiment in storytelling
Black Mirror special is fun - but it’s not the future of entertainment, writes Jesse Whittock
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‘Netflix killer’ is pie in the sky
There is a joint SVoD opportunity but it will require a fresh approach
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Netflix stages a very British coup
Appointment of Anne Mensah builds on important London hub
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16-34s need dedication from the BBC
Shows specifically for young adults needed to build real rapport
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How the BBC brand stays relevant
Digital challenges ahead but the BBC remains influential, writes Wez Eathorne
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It’s the medium not the message
Younger viewers will watch older-skewing content if it is presented correctly, says Alan Griffiths