Comment – Page 177
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13 Dec '11
“Young Apprentice is about kids who dress age-inappropriately and talk a lot of rubbish.” Read on for the verdict on last night’s TV.
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The Great Treehouse Challenge, Sky1
Ahead of tonight’s launch of Sky1’s Great Treehouse Challenge, series producer and director Jeremy Daldry takes Broadcast behind the scenes.
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It’s time we measured up
We must have the means to track diversity to tackle the lack of it.
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Caught out by the Pace of change
Set-top box manufacturer has had a tough year, says Kate Bulkley.
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We can’t afford not to pay for freelancer training
Everyone benefits from having a well-trained freelance community, says Nick Catliff.
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'Gerry was mentoring before it was invented'
BBC producer Geraldine McClelland died at the Dignitas Clinic yesterday. Donna Taberer and the industry at large remembers her.
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Meet the Adebanjos: making it to the screen
Ahead of the launch of new comedy Meet the Adebanjos, exec producer Andrew Osayemi reflects on how the black British sitcom finally made it to screen.
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Off Cuts: I’m A Giraffe... Get Me Out of Here!
Distressing scenes on Wild At Heart, where Lucy the giraffe broke onto the set and fell in the pool.
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Fast Freddie, The Widow & Me / Gruffalo’s Child / Hunt for the Whalers
Ricochet’s Claire Egerton-Jones and Electric Sky’s Karen Young on festive TV, kids’ classic and hunters hunted.
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Red Planet: real prize is mentoring writers
As entries come in for the Red Planet writing prize, Simon Winstone says the winners will not be the only ones to benefit.
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Inside Facebook: What's Mark Zuckerberg like?
Everyone’s first question when they heard I was working on a programme about Facebook for BBC2, was “Are you going to meet Mark Zuckerberg?”, writes Chris Miller.
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Bafta: give writers their due
Taking a short-term view is not the answer to long-term creativity.
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What the Danes can teach us
Joined-up approach to children’s film is inspiring, says Maggie Brown.
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All contributions to great TV deserve to be recognised
WFTV Awards credit those in the limelight and behind the scenes, says Kate Kinninmont.
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