Comment – Page 59
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CommentHow Butterfly gave trans children a voice
Key figures behind ITV drama reveal how the series ‘normalised’ the issue for a terrestrial audience
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CommentWhy Manchester is the only choice for C4
Cat Lewis and Alex Connock say Channel 4 must choose Manchester for its national HQ
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CommentWhy Leeds should be C4's NHQ
Opening national base in Leeds chimes with C4’s ‘born risky’ nature, says Andrew Sheldon
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CommentFans come first for broadcasters
User data is key to keeping hold of audiences and maximising revenues, says Kate Bulkley
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CommentSex on TV is a bit of a turn-off
When characters finally do the deed, it can be the death knell for a show, says Steven D Wright
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CommentHow the BBC brand stays relevant
Digital challenges ahead but the BBC remains influential, writes Wez Eathorne
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CommentIt’s the medium not the message
Younger viewers will watch older-skewing content if it is presented correctly, says Alan Griffiths
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CommentSocial listening helps to keep shows fresh and engaging
Harnessing real-time audience feedback can make for better programming, says Jo Booth
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CommentAuthenticity is essential to communicating online
Be open and honest to truly connect with your target audience, says Talie Delemere
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CommentSVoD plan marks new era at ITV
Service presents challenges but offers a welcome revenue stream
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CommentNo excuses in drive for sustainability
The industry must have zero tolerance for non-sustainable production, writes Andie Clare
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CommentAn indie approach to a royal wedding
Nick Bullen explains how Spun Gold took on producing Princess Eugenie’s big day in eight weeks
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CommentDrama boom spreads east
You’d be forgiven for feeling like you blink once and you’re back on a plane heading to another Mipcom
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CommentOur duty to champion diversity
Content industry has its part to play in bringing about real change, says David Cornwall
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CommentYou need more than a good idea
Production expertise is a critical factor in protecting new formats, says Sarah Edwards
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CommentLearn the jargon for US success
Knowing how American audiences are defined is key to tapping the market, writes Hannah Bowler
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CommentA tale of two pre-Mipcom deals
Netflix’s swoops for Bodyguard and The Circle are a sign of the times
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CommentIs it too soon to be talking about 8K?
Chris Evans, broadcast expert at research and consulting specialist Futuresource argues the case for 8K
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CommentWhy Sky is worth £30bn to Comcast
Acquisition gives US cable giant more ammunition in battle with tech players, says Kate Bulkley