All Features articles – Page 231
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FeaturesBlasts from the past
Heritage formats like Surprise Surprise, Blockbusters and Catch Phrase are all making a return to British TV. It’s all about feelgood familiarity, producers tell Jake Kanter.
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FeaturesSky Atlantic makes waves
Sophie Turner Laing has offered an insight into Sky Atlantic’s emerging identity, telling delegates at Broadcast’s inaugural Evening Briefing that it will become clearer as UK originations return this summer.
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FeaturesDrain the Great Lakes
Produce more than 70 CGI sequences revealing wrecks and strange topography beneath the waters on the bed of the Great Lakes.
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FeaturesDirty Great Machines
Create a series brand and in-show GFX that break away from the well-trodden schematics and blue-print style.
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FeaturesBehind the Blackmagic camera
Blackmagic Design pulled off the surprise product launch of this year’s NAB with the unveiling of a new digital camera. Chief executive Grant Petty reveals the thinking behind the device.
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FeaturesIn at the deep end
Shooting underwater brings an element of danger and excitement to the screen - but creates complications for production teams.
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FeaturesPlayhouse Presents
Scan, conform, grade, online and VFX for six of the 12 x 30-minute series
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FeaturesFalse dawn for TV experts
BBC Breakfast levels the playing field for women – unlike Daybreak, says Lis Howell.
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FeaturesThe art of storytelling
Frank Ash of the BBC Academy’s creativity and special projects team asks factual producers and commissioners to reveal the secrets for turning hours of footage into a compelling narrative
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FeaturesNAB 2012: Less is more
This year’s NAB will have fewer product launches and more focus on streamlining workflows and reducing costs. But there will still be plenty to get tech buyers excited.
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FeaturesThe blossoming of 3D
From 2D conversions to nature documentaries, 3D filming and post techniques are changing fast.
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FeaturesOur Crime
Grade EnvyClient Minnow FilmsBrief Complete the grade for the 4 x 60-minute documentary series exploring the stories behind crimes.How it was done Envy senior colourist Paul Fallon graded using Baselight. The interviews and location shoots were given a brooding and pensive feel, with any lightness or humour provided by the ...
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FeaturesFour in a Bed
Full post-production for the 60-part series about B&B owners who take turns to stay with one another
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FeaturesThe Syndicate
Create a title sequence that combines lotto glamour and Northern drama for the series about lottery- winning staff at a Leeds supermarket