All Features articles – Page 295
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Features
BBC Nations and Regions: Life outside London calling
The BBC's nations and regions strategy aims to change the DNA of UK broadcasting. As the deadline looms for managers to commit to Salford, it's crunch time, says Katherine Rushton.
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Features
Eureka!: All the Small Things
Writer Debbie Horsfield on expanding an idea for a theatrical play into a television series.
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Inside Track: Drama shooting
Milan Krsljanin, business development manager at Arri Media, on drama shooting formats.
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How We... shot high-speed marine police chases
Series producer Will Henshaw tells how he abandoned fashion and learned not to drown.
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Features
Post technology: Faster, cheaper, smoother
Facilities are under ever greater pressure to ensure a return on any investment in technology. Adrian Pennington reports on how post manufacturers are appealing to their bottom line.
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Features
The Buyer: Alex Fraser
Alex Fraser is the vice-president of sales and acquisitions at IMG Entertainment.
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Digital Agencies: Building interactive relations
Broadcast indies are forging strong links with digital agencies to fully exploit cross-platform opportunities. Adrian Pennington examines what six major players have to offer.
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Features
Why the high-end doc is an endangered species
Documentary-maker Norma Percy has argued that it's never been tougher to fund ambitious projects. We ask programme-makers about the realities of funding documentaries today.
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Features
Behind the Scenes at ... Discovery Networks
Discovery Networks InternationalNumber of staff 550Location West London
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Features
My Career: Sam Bickley
Sam Bickley, executive producer, factual at DCD Media-owned Prospect Pictures.
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FeaturesWhat advantages does the AVC-Intra codec offer?
As a seasoned user of DVCPro HD what advantages does the AVC-Intra codec offer me?
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Features
What next for MediaCityUK?
How will ITV's decision to pull out of moving its Manchester operation to Salford's MediaCityUK affect the project's ambition to be a creative hub.
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Features
Eureka!: Red Dwarf: Back to Earth
Advances in digital ushered in a new era for Red Dwarf, says co-creator Doug Naylor.
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Features
How we ... accessed the Foster murder mansion
Executive producer Roger Graef on death, data security and filming a family tragedy.
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FeaturesAre producers getting better at working with brands over AFP?
With the growth of branded content and advertiser-funded programmes, are producers getting better at working with brands or are there still frequent misunderstandings?
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FeaturesIs shooting HD worth the trouble and expense?
Is the trouble and expense of shooting HD worth it when most programmes won't be broadcast in HD quality?