Features – Page 4
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Behind The ScenesHow we brought nuance and compassion to the story of the last woman hanged in Britain
Antonia Gordon on why Silverprint wanted to explore what really happened to Ruth Ellis
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Behind The ScenesBergerac, UKTV
Exec producers Ben Bickerton and Philip Trethowan and UKTV’s Helen Perry break down the “tightrope” of reimagining a beloved classic
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FeaturesThis City Is Ours
‘It’s got an emotional thump to it and makes you care about people who do bad things’
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FeaturesInside Therapy
‘Being fearful is a universal thing, so Inside Therapy has really broad appeal’
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FeaturesKing & Conqueror
‘It has much to offer those who just love edge-of-your-seat, thrilling drama’
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FeaturesSunny Nights
‘Spray tan felt like an absurd world to juxtapose against Sydney’s criminal underbelly’
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FeaturesProphet Of Ecstasy
‘The characters help set it apart. It’s an uplifting series, as well as being strong on science’
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FeaturesOnce Upon A Time In Space
‘This is a very fresh approach to the topic. It is space with a focus on human stories’
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FeaturesChess Masters: The Endgame
‘It isn’t an obvious subject for a TV competition – but neither was baking’
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Behind The ScenesVirdee, BBC1
Novelist AA Dhand on adapting his Virdee book series into an elevated thriller with a predominantly South Asian cast
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FeaturesThe Killer Clown: Murder on The Doorstep
Sundance Now and Sky are already attached to this true crime three-parter, which explores a 30-year-old murder case
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FeaturesBest independent production company: Studio Lambert
‘In the past year alone, eight of the company’s formats received local commissions in 20 different territories’
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FeaturesBest single drama: On The Edge: Letting Go
“A moving, beautifully told story written and directed with confidence and accomplishment by talent new to TV drama”
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FeaturesInternational programme sales: Red Eye
“SPT has gone on to sell the show into more than 120 countries”
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FeaturesEmerging indie of the year: Dare Pictures
‘This indie has been proven right in its gutsy move of setting up when it did by its growing reputation as a high watermark producer’
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FeaturesBest music programme: Raye: Live at the Royal Albert Hall
“Simply brilliant…brought to screen by a team that truly understood the artist’s vision and pulled it off”
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FeaturesBest multichannel programme: High: Surviving a Dubai Drugs Bust
“The contributors are so charismatic, funny and high energy – the filmmakers clearly leaned into their attitude for the approach”