Features – Page 28
-
FeaturesWhat to see at Mipcom 2012: Children’s
Children’s classics are among the must-see properties on La Croisette this year.
-
The Broadcast InterviewJane Root, Nutopia
Former BBC2 controller and Nutopia founder Jane Root tells Chris Curtis about widening the indie’s scope – and why history documentaries can have broad appeal.
-
FeaturesThe cream of the LA crop
Last month’s LA Screenings had UK buyers out in force to cast an eye over the latest series from the US networks. John Hazelton reports on the shows that caught the most attention
-
FeaturesHard times come to LA
Recession-themed comedies, dramas with a soapish feel and international remakes will be out in force at the LA Screenings. John Hazelton looks at the best of what’s on offer.
-
FeaturesParade’s End (BBC/HBO)
A cynic might suppose that Parade’s End, the BBC/HBO five-part mini-series based on a group of novels by Ford Madox Ford, is an attempt to jump on the Edwardian/WWI drama bandwagon ridden by Downton Abbey, Upstairs Downstairs, Titanic and Birdsong.
-
Features
Zig Zag (National Enquirer)
British indie Zig Zag arrives at MipTV having signed up as the exclusive broadcast production partner of US celebrity gossip magazine National Enquirer.
-
Features
Falcón (Mammoth Screen/ITVS GE)
ITV is re-emerging as a player in the international drama space, thanks to the efforts of ITV Studios and its international arm, ITV Studios Global Entertainment (ITV Studios GE).
-
FeaturesThe River (Disney/itunes)
Disney has been collapsing broadcast windows for some time now, most memorably when it aired the finale of Lost in 59 territories within 48 hours of its US transmission.
-
FeaturesOne Born Every Minute (Shine International)
One of the things sometimes overlooked in the factual format business is that the ability to make a show is as important as the concept. However, an increasing number of UK content providers are marketing their expertise alongside their ideas.
-
FeaturesGalapagos (Atlantic/Sky)
With David Attenborough, Atlantic Productions has made serious inroads into the 3D production market – and fast.
-
FeaturesBig Fat Gypsy Weddings (Firecracker Films/Zodiak Rights)
Most of the big distribution outfits like to own a mix of in-house and third- party content; that way, they ensure a predictable pipeline of hours while also getting access to the best shows available in the market.
-
FeaturesAnger Management (Lionsgate/FX/TMG)
Do TV shows come any hotter than this? Bad boy Charlie Sheen in a sitcom called Anger Management, adapted from a hit film starring Jack Nicholson, and produced by Lionsgate (Mad Men) for US cable network FX.
-
FeaturesMistresses (Ecosse Films/ABC)
Ecosse is riding high in the US right now thanks to a deal to adapt BBC1 drama series Mistresses as a 10-part series to air this autumn on ABC.
-
FeaturesFriday Night Dinner (Greg Daniels/Big Talk/Popper Pictures)
NBC’s decision to greenlight a US version of Ricky Gervais and Stephen Merchant’s sitcom The Office in 2006 was a game-changer for UK comedy producers seeking a foothold in the US – and it came just at the right time.
-
FeaturesPeppa Pig (Entertainment One)
Last month, Entertainment One Family announced that it had secured a slot for its pre-school show Peppa Pig on Gulli, the French free-to-air kids’ channel owned by Lagardère Active.
-
FeaturesTake Me Out (Fremantle Media Asia)
ITV dating show Take Me Out has had a few troublesome headlines in 2012. But the general consensus is that the Paddy McGuinness-fronted show has established itself as the spiritual Saturday teatime heir to Blind Date.
-
Features
Meet the Parents (Objective Productions/All3Media International)
All3Media International has a large and fast-growing slate of scripted and entertainment formats, courtesy of the numerous independent production companies within its parent group.
-
FeaturesSpy (Hulu/Hat Trick international)
US on-demand service Hulu had been rumoured to be planning a UK launch, but its inability to get the necessary programme rights forced it to put that idea on ice. Nevertheless, the platform has proved to be an important partner for UK distributors seeking a US home for their content, ...
-
FeaturesLilyhammer (SevenOne/Netflix)
SevenOne International, the programme distribution arm of German media group ProSiebenSat1, has pulled off some significant deals recently, not least the sale of drama series Lilyhammer to on-demand behemoth Netflix.
-
FeaturesThe Cannes showcase
As buyers and sellers head to MipTV, Broadcast turns the spotlight on the programmes in the scripted, entertainment, fact ent and factual categories that are set to make a splash.