Features – Page 297
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Features
Studios: battle to bring in bookings
As light entertainment leviathan programmes boost some studios, others are struggling. Andy Stout finds that flexibility and offering added extras are key to pulling in projects.
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Winning the battle for 9pm
Drama or factual? Comedy or reality? Which programmes are conquering the key peaktime slot?
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Features
Monster Moves series 4
Post-production work, completed by Envy, on the new series of Monster Moves.
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Features
UKTV Food re-brand
A new brand identity, created by Red Bee Media, for Good Food, formerly UKTV Food.
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Features
Outsourcing to India
Sending work offshore is about more than chasing the lowest price - you need to develop global expertise and build effective relationships with suppliers, writes Adrian Pennington.
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Features
Google: search for a working relationship
Critics brand it a parasite, but it can also offer access to an online audience of billions. So should the production community treat Google as a friend or foe?
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BBC3: search for the secret of youth
BBC3 faces several obstacles in its remit to reach 16- to 34-year-olds - not least a brand teens see as uncool. Katherine Rushton reports on how the channel is engaging with its viewers
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Mitchell and Webb
Comedy duo David Mitchell and Robert Webb started life on radio, so when BBC producers had to make a red-button package to accompany the new series of BBC2’s That Mitchell and Webb Look, it made sense to mine their unused Radio 4 sketches.
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Psychoville
Titles for a dark new comedy from The League of Gentlemen’s Reece Shearsmith and Steve Pemberton.
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Features
EuroparlTV
Amid a tumultuous fortnight in politics, and with the European elections highlighting the government’s continuing woes, it’s timely that the European Parliament has been engaging online with voters.
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Features
How to be lean on screen
The secret behind some of the biggest shows is budget management - things such as clever scheduling and economic use of locations. Andy Fry looks at 10 top shows’ tricks of the trade
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