Features – Page 310
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Features
Eureka! Demons
Director Tom Harper on putting a fresh spin on Van Helsing in modern-day London.
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Features
Is small beautiful in VFX?
With improvements in technology, smaller VFX companies are better able to compete with the giants, and innovative new production models are emerging. Nicola Brittain reports.
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Features
Creative Review - VFX on Myths
Visual effects work carried out by Smoke and Mirrors on a BBC Switch series featuring modern versions of Greek stories.
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Features
Disabled talent starts to break through
Emma Bowler reports on the growing number of programmes about and featuring disabled people.
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FeaturesCreative Review - Christmas Idents for Paramount Comedy
Idents based around the channel's most popular shows.
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FeaturesCreative Review - Nick Jr Christmas Promo 2008
30-second animation, clips and end boards to promote Christmas programming.
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FeaturesProduction: Facilities in 2008
After a year of high-profile business failures in post, facilities are looking to 2009 with caution. Yet some are upbeat and even expecting to grow, as Adrian Pennington discovers.
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FeaturesHow to plug the PSB funding gap
The BBC has warded off the threat of top-slicing - but will proposals to share resources with other broadcasters help it keep hold of BBC Worldwide? Katherine Rushton reports.
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FeaturesCreative Review - Christmas idents for BBC entertainment
Two idents for BBC Entertainment created by Knifedge.
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FeaturesCreative Review - Nigella's Christmas Kitchen
Full post on Nigella's festive cookery series, comprising both new and old programmes.
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FeaturesCreative Review - Who Wants to be a Superhero?
Title sequence and graphics for the CBBC version of Who Wants to be a Superhero?
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FeaturesRatings: Celebrity ends in triumph
The jungle reality show won over upmarket viewers to rank among ITV1's top shows of the year.
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FeaturesSpin-off delivers Xtra
ITV2's Xtra Factor results show joined the exclusive 2 million club last weekend.
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FeaturesHow I... designed the Cybershade
Millennium FX chief executive Neill Gorton on creating a Victorian version of the Cybermen.
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FeaturesOn Location: The Diary of Anne Frank
Getting the rights to film Anne Frank's diary proved challenging, writes producer Elinor Day.
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FeaturesProduction: Studios in 2008
The last 12 months have seen UK studios face a run of closures and cuts - and a flood of investment into ambitious long-term projects and HD upgrades.