Features – Page 272
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FeaturesWhen Corden Met Barlow
Picture and audio post for the BBC1 documentary about the Take That singer’s career
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FeaturesCardinal Burns
Provide picture and audio post-production, including grade, online edit, VFX and sound mix
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FeaturesMasterclass: Showrunning - live factual
Working on a live broadcast is one of the most exhilarating and terrifying jobs in TV
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FeaturesLily's Driftwood Bay, Nickelodeon
There was no room for compromise on a series crafted from objects found on the beach, says Colin Williams
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The Broadcast InterviewDiscovery: Susanna Dinnage
Discovery UK’s boss discusses how the broadcaster is moving beyond what people expect
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Behind The ScenesWanted: A Family Of My Own, ITV
Claire Lewis discovered local government red tape was just one of the hurdles in following adoption cases
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The Broadcast InterviewHelen Warner, ITV
ITV’s director of daytime is confident that Good Morning Britain can succeed where Daybreak failed
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FeaturesHas BBC3 fulfilled its remit?
As the youth channel awaits approval for its move online, Stephen Price looks its performance over the past eight years
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Behind The ScenesPrey, ITV
Tom Sherry explains how a brilliant script forced Red to reinvent the production process
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Behind The ScenesJamaica Inn, BBC1
The Cornish moors of Daphne du Maurier’s story were even more breathtaking than director Philippa Lowthorpe could have believed
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FeaturesPreparing for television 2.0
The internet is likely to have a more profound impact on TV than the shift from analogue to digital, says Mike Grieve
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FeaturesHow to Get a Council House
Picture and audio post-production for the 3 x 60-minute second series.
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Behind The ScenesJesus Mysteries, Nat Geo UK
We didn’t need a miracle but what we achieved on a modest TV budget wasn’t far off, says Justin Hardy
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The Broadcast InterviewRichard Watsham, UKTV
UKTV is looking to shift its focus to entertainment and improving its indie relationships