Indies Comment – Page 4
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Sharing the spoils of success
A new EU directive will benefit those who contribute to an unexpected hit, says Clare Zucker
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How to be pitch perfect in Cannes
Landing a commission is never easy – but it’s easy to put off potential buyers, says Craig Colby
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French indies are at a crossroads
Legislation revamp must allow producers to retain programme rights, says Samuel Kissous
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Indie sector is buoyant but brutal
Broadcast survey reveals fresh opportunities and fierce competition
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Why I would still work with Liam Neeson
Showing compassion is key to building future for TV, film and society, argues Josh Wilson
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Stop paying lip service to access
Society has closed the door on the next generation. It’s up to us to open it, says Foz Allan
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It’s great to have new IP but the catalogue is still king
Popular older formats give us space to let fresh ideas develop and bloom, says Lucas Green
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Northern Ireland's Screen Queens say time is up
More pressure is needed in Northern Ireland to keep the #TimesUp moment going, says Jannine Waddell
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Fear of failure is not an option
Singles and short-run series won’t bring long-term rewards, says Outline’s Laura Mansfield
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No excuses in drive for sustainability
The industry must have zero tolerance for non-sustainable production, writes Andie Clare
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An indie approach to a royal wedding
Nick Bullen explains how Spun Gold took on producing Princess Eugenie’s big day in eight weeks
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Our duty to champion diversity
Content industry has its part to play in bringing about real change, says David Cornwall
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You need more than a good idea
Production expertise is a critical factor in protecting new formats, says Sarah Edwards
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How to launch an indie in 10 days
Launching a start-up is the scariest thing you’ll ever do. I’d recommend it to anyone, says Jon Lloyd
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Indies can thrive in online world
Professionalism and creativity will help to overcome challenges ahead, says Victoria Powell
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Regional renaissance rolls on
“The opportunity to become the home of C4 is symbolically, creatively and commercially worth its weight in gold”
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Disrupted future is bright for producers who adapt
Digital services will shape TV and producers must embrace the change, says Sam Barcroft
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Regional indies can prosper from co-pro strategy
Broadcasters will also be able to fulfil out-of-London quotas, says Stephen Stewart
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Benefits of the DIY approach
A new business model is helping producers retain IP and dominate ratings, says Henry Scott
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Female directors have it tougher than they used to
Trend for freelancing makes having a family much more difficult, says Katie Buchanan