Indies Comment – Page 4
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CommentBenefits of the DIY approach
A new business model is helping producers retain IP and dominate ratings, says Henry Scott
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Female directors have it tougher than they used to
Trend for freelancing makes having a family much more difficult, says Katie Buchanan
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Opening doors and breaking down barriers
Those who don’t have industry connections need a helping hand, says Fiona Francombe
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No better time to quit the capital
With regional production quotas rising, there’s no better time to move, says David Sumnall
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A year in the life of a start-up
Getting our first commission over the line makes it all worthwhile, says Daniel Nettleton
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Time's up for regional indie loophole
The industry must seize the chance to tighten up definition of out-of-London productions, says Cat Lewis
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Why shouldn’t women go back to work after a baby?
Employers can develop a working culture that breaks the cycle, says Laura Cotton
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Regional production is rising but quotas aren’t enough
Investment and support is needed if creative hubs are to flourish, says Victoria Powell
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Start-ups face an uphill struggle
The odds are against new indies, but the rewards are greater than ever, says David Mortimer
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Rewriting the rules of engagement
Broadcaster and indie relationships need to be more transparent
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Time for regional indies to shine
“There is scope for regional production to become far more influential as a result of the increased appetite”
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When is a TV ‘chat’ not a chat?
Don’t be fooled into the idea of informality when called in to ‘talk’, says Vanessa Williams
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Time to step up a gear on sustainability
We must make tougher demands of our suppliers, says Howard Ella
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Indies face fight to survive
With TV swamped with start-ups, indies need to be savvy or risk going under, says Ian Lamarra
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Podcasts should be more than an add-on
The medium can be a valuable way for indies to grow the value of their IP, says Josh Adley
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What’s behind indie launches?
New year brings a host of start-ups with little sign of a slowdown
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You can’t have too many indies
If anything, we need more to maintain creativity and improve diversity, says Victoria Powell
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Everyone reaps the benefits of an inclusive approach
The public want to see themselves on screen – and it makes for better shows, says Jess Fowle
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We need to invest to sustain growth
Training is vital to ensure the UK continues to punch above its weight, says Seetha Kumar
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The UK will always be the home of good TV
With Brexit looming, why has a French indie launched in the UK? Samuel Kissous explains
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