More News – Page 547
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NewsFreefolk launches Futurefolk initiative
The scheme provides two up-and-coming VFX specialists with a one month paid internship at the VFX studio
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NewsBBC1 homes Gossip Girl
HBO Max reboot of CW teen drama to air on terrestrial channel and iPlayer
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NewsTimeline unveils compact OB truck Streamline 2
It’s been developed to offer cost-effective OB services for remote productions
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NewsLucy Beaumont to pen female-led C4 comedy
Six-part Hullraisers from Anne Boleyn indie Fable to focus on three working class women
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NewsLondon Weekend Television charity shutters after 30 years
Winds down with £116,000 donation to Film & TV Charity
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NewsC4 renews Sky commercial deal with All4 focus
VoD player becomes central pillar of pair’s long-standing partnership
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NewsQureshi: BBC comedy mustn’t be scared to fail
Pilots from up-and-coming voices don’t have to rate, says interim genre head
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NewsFremantle to acquire Nent Nordic labels
Global production and distribution outfit takes charge of 12 indies
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NewsProduction managers prep fair pay campaign
Jamie Stratton gathering support to lobby broadcasters
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NewsNUJ forges C4 action plan
Baroness Jane Bonham-Carter: watering down remit will have disastrous consequences
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NewsDCMSC chair floats C4 / ITV merger
Julian Knight also suggests folding the business into BBC Studios
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NewsBirmingham kids indie wins CBBC & Nick dramas
Threewise Entertainment lands trio of orders ahead of planned £500,000 funding round
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NewsBBC pauses Noel Clarke project
Crongton Knights was based on YA novel written by Small Axe’s Alex Wheatle
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NewsMPC expands MPC Film division
The VFX house has made four senior hires, adding two VFX supervisors and two VFX producers
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NewsWarner Bros. Leavesden adds virtual production stage
83,000 sq ft of production space is being added to the facilities.
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NewsJournalists share abuse stories with DCMS
Call for evidence to shape national action plan sparks more than 300 responses
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NewsIndustry ‘must forge more diverse co-pro treaties’
Arrangements with “predominantly white” countries risk the exclusion of “culturally valuable” stories, says Tonya Williams and Derren Lawford