All The Garden articles – Page 5
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News
ITV Studios gives Operation: Live Aussie treatment
Seven Network commissions two-night event based on C5 series
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Comment
Innovation is key to longevity
As 24 Hours In A&E approaches its 200th episode, Spencer Kelly reflects on how it has evolved
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News
C4 takes new broom to factual
Head of factual Danny Horan looks to clear the decks for a new era of noisy, cross-genre shows
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News
Minnow hires Garden creative director
Kate Collier to work with newly-promoted Sophie Leonard at SAS: Who Dares Wins indie
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News
Webb-Lamb's popular factual slate takes shape
Broadcaster tasks indies with re-energising fact ent and lifestyle to attract younger viewers
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News
C4 orders popular factual trio
Broadcaster puts baking, social media and British nationalism in the spotlight
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News
Fozia Khan joins C4 docs team
Extremely British Muslims producer hired as documentary commissioning editor
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News
BBC2 peeks inside the Bank of England
Raw TV two-parter joins The Garden’s Gun No. 6 and True Vision’s latest Stacey Dooley doc
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Comment
First step towards equality is to do one thing different
Frances McDormand’s Oscars speech should be a call to action for TV, says Ninder Billing
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News
Police put spotlight on rig show
Chief constable lauds 24 Hours In Police Custody for bringing transparency to under-fire force
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Comment
We should all listen to Oprah
Talking about diversity feels very 2017 – this should be the year of doing it, says Ninder Billing
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Video
My Week As A Muslim, Channel 4
The Garden documentary about a white mother from Manchester who moves into a Muslim community
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News
C4 targets youth audience
Broadcaster on the hunt for a stripped reality series that will appeal to key 16-34 viewers
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News
The Garden eyes fresh genres following Hay hire
Chief executive Magnus Temple has taken stock in the wake of Nick Curwin’s exit
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News
Top orders: the best of the Edinburgh Festival
Radical anti-ageing format, Grenfell doc and spy drama among this year’s big commissions
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Behind The Scenes
Bring Me Back To Life, Channel 4
Unlike other hospital docs, we wanted our film to focus entirely on the patient rather than the doctors and nurses. But we had no idea how personal it would become, says Graeme McAulay