Analysis – Page 3
-
FeaturesNeil Crombie, Swan Films
‘When you pitch to C4, it’s always: what’s novel about this? What different experiences and perspectives are we going to see?’
-
CommentResisting privatisation doesn’t mean keeping the status quo
There’s no doubt C4 needs to change – but that’s far more likely if it retains its public ownership
-
Behind The ScenesDeceit: Police procedure in the dock
Story Films hands a fresh perspective to C4’s drama exploring the notorious Rachel Nickell investigation
-
CommentMaking the economic case for C4 is key to winning the fight
Broadcast editor Chris Curtis calls on the industry to argue that privatisation doesn’t stack up commercially
-
FeaturesThe battle for C4’s future gets political
With Conservative advocates thin on the ground - what are the broadcaster’s prospects?
-
CommentThreat of C4 privatisation appears greater than ever
The broadcaster has seen off past attempts, but is facing a much tougher challenge this time around, says Maggie Brown
-
CommentThe government is gunning for C4 – so it’s time to speak up
Britain’s whole TV ecology is at risk as the government kicks off its push for privatisation
-
FeaturesIn Conversation: Turton and Mahon on navigating past the pandemic
The C4 and All3 chiefs kicked off Broadcast’s Restart conference with a discussion about the post-Covid future
-
The Broadcast InterviewNida Manzoor: The punk spirit behind We Are Lady Parts
Writer and director on taking inspiration from her own life for her new C4 comedy about a Muslim female punk band
-
FeaturesCo-pros soar as pandemic hits budgets
Broadcast Intelligence’s Commissioner Index has added 50 international commissioners keen to explore co-pro opportunities with British partners
-
FeaturesBreaking into the comedy boys’ club
Despite repeated calls for more comedy shows with female writers, the latest stats from Broadcast’s Programme Index suggest progress has been slow
-
FeaturesAFP comes into its own
Ad-funded programming is enjoying a resurgence as its reputation improves and traditional ad spots take a hit from the pandemic
-
FeaturesTrump’s toxic legacy
ITV’s Robert Moore and C4’s Matt Frei on reporting on US politics – and what could be in store for the UK media landscape
-
The Broadcast InterviewHow Mitchell & Webb got Back on screen
The comedy duo on their 25-year partnership and the obstacles they had to overcome to get the second series of their C4 sitcom on air
-
FeaturesC4 hunts fresh ideas in pivot to digital
Uncovering All 4-friendly shows is a primary goal for commissioning teams
-
Behind The ScenesIt’s A Sin: out and proud in the 80s
Russell T Davies on why it was so important to cast gay actors in his 1980s-set AIDS drama
-
FeaturesReview of the year
From the global pandemic to the US election, Broadcast looks back on an eventful 12 months in television
-
The Broadcast InterviewMahon ready to throw off linear shackles
Chief executive sets out bold vision to shift C4’s priorities from linear to online
-
FeaturesWill C4’s digital plan work?
Mixed response from producers and grandees to Future 4 strategy
-
CommentRevolution in the air as industry looks to future
As broadcasters embrace the digital world, TV can and must do more to represent everyone
- Previous Page
- Page1
- Page2
- Page3
- Page4
- Next Page