All Comment articles – Page 56
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CommentWhy my series took a decade to get commissioned
Navy warship docs had to wait until the time was right, says Chris Terrill
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CommentThe future of TV viewing and measurement is already here
Barb’s tracking of on-demand and catch-up reveals some key trends, says Justin Sampson
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CommentNetflix chases the grey pound
First it came for the 18-24s, now older viewers are in the SVoD giant’s sights, says Kate Bulkley
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CommentA year in the life of a start-up
Getting our first commission over the line makes it all worthwhile, says Daniel Nettleton
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CommentNew dawn for out-of-London TV
The challenge now is to harness the energy to effect lasting change
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CommentTime's up for regional indie loophole
The industry must seize the chance to tighten up definition of out-of-London productions, says Cat Lewis
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CommentWhy shouldn’t women go back to work after a baby?
Employers can develop a working culture that breaks the cycle, says Laura Cotton
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CommentRegional production is rising but quotas aren’t enough
Investment and support is needed if creative hubs are to flourish, says Victoria Powell
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CommentGoodnight to the overnights
AI and passion scores may be better measures in a world of catch-up, says Stephen Arnell
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CommentTV thrives on good relationships
Broadcast poised to launch comprehensive Commissioner Index
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SponsoredReaching out to the regions
Creative Cities Convention director Ruth Pitt detects a new wave of creative optimism in Britain’s big cities
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CommentNever give up control of your film – even to your mother
Always listen to your subject, but remember who calls the shots, says Remy Blumenfeld
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CommentMedia landscape is changing fast
Sir Martin Sorrell has left WPP and Facebook is under fire. What’s next? asks Kate Bulkley
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CommentTV relationships in serious flux
Changing media landscape is creating intriguing partnerships
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CommentRebooting isn’t the lazy option
Nostalgia can be a winning formula, but reviving a hit is far from easy, says Kieran Doherty
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CommentTime to trust the gut, not data
Commissioners need to shun analytics to keep television distinctive, says Steven D Wright
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CommentTurning risk pledges into reality
Frustrated producers need convincing of appetite for danger
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CommentLook after your VFX artists to get the best out of them
Outpost VFX founder Duncan McWilliam explains his concept of ’Fairtrade VFX’
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CommentWhy C5 put housing centre stage
From Grenfell to our partnership with Crisis, it was beholden on us to tackle the biggest issue facing modern Britain, says Guy Davies
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CommentGoing gets tough for Aussie docs
Ambition remains intact but securing financing is increasingly hard, says Lilla Hurst