All Comment articles – Page 57
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Start-ups face an uphill struggle
The odds are against new indies, but the rewards are greater than ever, says David Mortimer
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First step towards equality is to do one thing different
Frances McDormand’s Oscars speech should be a call to action for TV, says Ninder Billing
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Minorities keep TV relevant – so give us chance to shine
BAME stories are waiting to be told. All we ask for is opportunity and to be treated fairly
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McCall is right to focus on data
ITV chief exec’s speech provided some clues to broadcaster’s future strategy, says Kate Bulkley
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C4 has the opportunity to redefine itself for the future
Instead of relocating, the broadcaster could redistribute its workforce, says Jason Mitchell
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When is a TV ‘chat’ not a chat?
Don’t be fooled into the idea of informality when called in to ‘talk’, says Vanessa Williams
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Time to step up a gear on sustainability
We must make tougher demands of our suppliers, says Howard Ella
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Why we must keep the faith with untested talent
Daniel Kaluuya’s Bafta win is an important reminder of TV’s role in nurturing future stars, says Bryan Elsley
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The rise of Asian factual production
The continent is increasingly open to co-pros, says Julian Chou-Lambert
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Indies face fight to survive
With TV swamped with start-ups, indies need to be savvy or risk going under, says Ian Lamarra
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Welcome bid to end harassment
BFI and Bafta’s guidelines need industry buy-in to effect change
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Getting to the truth costs money
Shoestring budgets put current affairs at risk just when we need it most, says David Henshaw
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Is this the end for mass media?
Disney/Fox deal is a sign that the entertainment giants have lost their way, says Dan Allen
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Netflix’s cash changes everything
From content spend to OTT services, broadcasters are playing catch-up, says Kate Bulkley
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Commissioners have a tough job
It’s not all long lunches and holidays – this is a demanding, pressurised role, says commissioner-turned-producer Rachel Job
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It’s always sunny for TV in Miami
Forget Realscreen, Natpe offers fantastic opportunities for UK producers, says Danny Fenton