All Comment articles – Page 57
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CommentAll they want for Christmas is...
Broadcasters have a lot on their wishlists for the coming year
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CommentNew game, new rules for sport
Money is no longer the key factor when it comes to sports rights, says Kate Bulkley
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CommentYou can’t have too many indies
If anything, we need more to maintain creativity and improve diversity, says Victoria Powell
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CommentBrexit is a threat to broadcasting
Government must include the industry in any transitional agreement, says Vince Cable
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CommentHow a TV doc became a West End show
Jes Wilkins and Jenny Popplewell on changing minds and lives with Jamie: Drag Queen At 16
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CommentSharing stories can help break the cycle of sexual harrassment
Investigating the shocking extent of the problem, 5 News reporter Tessa Chapman was surprised to find her own buried memory resurfacing
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CommentEveryone reaps the benefits of an inclusive approach
The public want to see themselves on screen – and it makes for better shows, says Jess Fowle
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CommentMaking the step into high-end drama
What increased demand for high-end TV productions means for skills training
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CommentWe need to invest to sustain growth
Training is vital to ensure the UK continues to punch above its weight, says Seetha Kumar
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CommentShort-form content comes of age
Recognition at Emmys shows industry is finally taking format seriously
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CommentSky facing crucial tipping point
Bold new drama slate offers best chance of securing a breakout hit
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CommentOn-demand platforms need to improve their accessibility
Broadcasters are missing out on a huge potential audience, says Patricia Hodgson
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CommentKatz can bring back C4’s bite
Audience for edgy content is still out there, but being underserved, says Steven D Wright
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CommentThere’s no place for abuse in TV
Is it really so hard to ensure that people are treated decently?
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CommentFlipping the script on race issues
It’s not just the story being told that matters, but who is telling it, says Lucy Pilkington
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CommentTurning the MTV EMAs into a multi-media phenomenon
Social media, streaming and HD have transformed the blockbuster music event over the past 21 years, writes Richard Godfrey