All Comment articles – Page 90
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CommentEurope is more than a single market
Removing borders for TV and film could dilute content and distort the market, says Michael Maxtone-Smith
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CommentDramatic accuracy helps OJ drama hit the mark
Detail makes for gripping viewing, says the editor of the BBC’s coverage of the 1995 trial
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CriticsTV Critics: One Child; The Great Chinese Crash?; The New Yorker Presents
“Though at times rather preachy, it set everything up for what promises to be a captivating series.”
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CommentIs this the end for ads on TV?
Auto ad-skipping is striking fear into the industry, says Kate Bulkley
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CommentFresh energy will benefit ITV
Bazalgette is right man to help broadcaster build on Norman era
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CommentBBC deserves praise for its forward thinking
Giving BBC3 viewers what they want to watch, when they want to watch it, will drive uptake, says Tom Williams
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CommentBBC3 will have to teach viewers new habits
The BBC is making the right noises about what BBC3 online should offer. Its challenge now is to hook regular viewers, says Stephen Arnell
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CriticsTV Critics: Trapped; Call The Midwife; Deutschland 83; The Walking Dead
“It was so absorbing that within five minutes I’d forgotten it was subtitled, and tried turning the volume up.”
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CriticsTV Critics: Britain’s Weirdest Council Houses; The Brain with David Eagleman; Cats v. Dogs: Which is Best?
“I was expecting to hate it. But it wasn’t rubbish at all.”
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CommentLet’s diversify writers rooms
If we want the best, we must give everyone a chance, says Debbie Moon
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CommentIs this really a golden age of UK drama?
To be on the same footing as international rivals, we need original stories, says Peter Ansorge
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CommentAwards highlight C4’s special status
The not-for-profit PSB finds there is great value in taking risks, says Chris Curtis
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CommentBroadcast Awards 2016: What a year
What a year. 2015 may have seen the end of Never Mind The Buzzcocks, Peep Show and Downton Abbey, but there were more than enough reasons to celebrate as a new wave of outstanding shows emerged.
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CommentWhy Watch became W
Despite some hits, Watch’s identity had become insistent. We needed to refocus on the viewer, writes Steve North
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CriticsTV Critics: War and Peace; Deutschland 83; The World's Toughest Horse Race: Palio
“It is safe to say that this is the greatest TV costume drama of the past decade.”
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CriticsTV Critics: Camila's Kids Company; World War Three; The Crusades; Great American Railroad Journeys
“The moral of the film was that love is never all you need.”
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CommentPublic service TV needs you to help shape its future
Be part of the debate to define the direction television needs to be taking, urges Des Freedman
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CommentA shout-out to the Sky ad team
Half-year results show new revenue is out there, says Kate Bulkley
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CriticsTV Critics: Vera; A Death Row Tale: The Fear of 13; War and Peace; James May's Cars of the People
“The plot twisted so far in on itself that my mind was in knots but the mark of a good detective drama is one that keeps you guessing right until the end.”