All Comment articles – Page 92
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CommentComedy works perfectly on social media if done well
Twitter is great for continuing the laughs once the show has ended, says Laura-May Coope
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CommentGolden age? You must be joking
Comedy is subjective but the quality is as high as ever, says Phil Clarke
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CommentCharlotte Moore gets defensive – again
BBC controller can’t simply ignore criticism over distinctiveness
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CriticsTV Critics: The Aliens; Happy Valley; The Last Seabird Summer?
“Its manic energy, swaggering pace and three strong leads made for a pulsating ride. Nanu nanu indeed.”
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CommentReinventing drama for Kenya
Lisa Sabina Harney’s debut as a series director took her to Nairobi, with a mission to empower women on- and off-camera.
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CommentTime for indies to engage in future of kids TV
Making children’s TV is a job, not a hobby, yet still producers must fight to get it taken seriously, argues Tony Collingwood
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CommentTV has a lot to learn about supporting working mums
Other industries find flexible solutions so why can’t this one? asks Rakhee Rajani
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CommentIt’s great to be a woman working in TV
We’re not there yet, but we’ve come a long way towards gender equality, says Kate Beal
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CommentThe future of TV advertising
Programmatic sales are set to become the norm, says Kate Bulkley
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CriticsTV Critics: Davina McCall: Life at the Extreme; Born to Be Different; Scrappers - Back in the Yard
“Davina’s enthusiasm for the wildlife was genuine and I suppose her presence was this show’s USP”
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CriticsTV Critics: Churchill’s Secret; The Night Manager; Thirteen; Stag
“Lovely performances all round … especially from Michael Gambon as the main man.”
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CommentTime to tackle licence fee process
Consensus is that last summer’s agreement was unsatisfactory
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CommentWhy The X Factor remains on song
Executive producer Richard Holloway explains why The X Factor remains part of the fabric of the nation, despite declines in ratings and reports of the show’s demise
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CriticsTV Critics: Lost Tribe of the Amazon; Who’s the Boss; The Inspectors Are Coming
“Moving, and sad, often scary, sometimes funny, and absolutely fascinating.”
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CommentEurope is more than a single market
Removing borders for TV and film could dilute content and distort the market, says Michael Maxtone-Smith
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CommentDramatic accuracy helps OJ drama hit the mark
Detail makes for gripping viewing, says the editor of the BBC’s coverage of the 1995 trial
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CriticsTV Critics: One Child; The Great Chinese Crash?; The New Yorker Presents
“Though at times rather preachy, it set everything up for what promises to be a captivating series.”
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CommentIs this the end for ads on TV?
Auto ad-skipping is striking fear into the industry, says Kate Bulkley
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CommentFresh energy will benefit ITV
Bazalgette is right man to help broadcaster build on Norman era
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CommentBBC deserves praise for its forward thinking
Giving BBC3 viewers what they want to watch, when they want to watch it, will drive uptake, says Tom Williams