Comment – Page 9
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How 60 Days On The Streets gives rough sleepers a voice
Our hard-hitting series puts to bed the myths surrounding homelessness, says Jamie Seal
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A new balancing act emerges
Escalating tariffs and declining budgets bring a new set of pressures
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Feature docs take centre stage
Primetime scheduling positions for C4’s Three Identical Strangers and Leaving Neverland could point to a new era
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Our faith in Malaysia paid off
Filming Strike Back in an emerging market was challenging but worth it, says Kenton Oxley
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BBC1 is boldly redefining mainstream comedy
Alan Partridge’s high-profile return is a victory for both performer and character, while Fleabag’s new slot points to an exciting future
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TV has a duty to lead debate
It’s important to clear space in the schedule to address the issues of the day, says Guy Davies
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One size doesn’t always fit all
Adapting to each market has made All Together Now an international success, says James Fox
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BBC3 finally gets a linear-leg-up
Dedicated BBC1 block will help in the upcoming fact-ent fight
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Making a connection is key with tricky contributors
Always stick to what you promise and never lose your moral centre, says Kira Phillips
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Factual content has a new home
A boom in online advertising will help producers thrive in the digital world, says Sam Barcroft
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Non-scripted shows resilience
The genre is fighting hard to remain relevant in the digital age
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Unscripted has a bright future
But the genre needs to embrace technology and show shade as well as light, says Will Hanrahan
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Bandersnatch: an experiment in storytelling
Black Mirror special is fun - but it’s not the future of entertainment, writes Jesse Whittock
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Our year on the UK murder trail
Rejecting the blue-light approach, we wanted to focus on the human cost, says Ben Anthony
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Learning to love criticism
Doctor Who and Murdered By My Father writer Vinay Patel reflects on his coping strategies
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New writers keep drama fresh
The next generation of great talent is out there waiting to be heard, says Laurence Bowen
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Innovation is key to longevity
As 24 Hours In A&E approaches its 200th episode, Spencer Kelly reflects on how it has evolved
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How we bluffed our way into TV
Despite the success of our C4 sitcom, we still feel like outsiders, says Bingo’s Mark O’Sullivan
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Long live unfashionable shows
Mainstream TV is the backbone of the industry and deserves respect
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Netflix stages a very British coup
Appointment of Anne Mensah builds on important London hub