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I got £50,000 to explore how PSBs could win over Gen Z - this what I found
Wider regulation and content designed for social media will help bring in younger audiences, Toby Cameron says
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Recognition is key to happy and productive workforces in difficult times
Improving staff wellbeing doesn’t have to cost money, says psychologist Janet Evans
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Adolescence is a shot in the arm for UK drama, not its death knell
The global appetite for British stories is vast, and can be captured by all parts of the industry
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Don’t simply blame US streamers for UK drama health
As a COBA report shows UK-US scripted co-commissions are stable, executive director Adam Minns urges measured analysis over alarmist statements
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A show of resilience in times of adversity
‘British indies are doing everything in their power to thrive through innovation’
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The remarkable history of The Moving Picture Company (MPC)
Mike Luckwell takes a trip down memory lane as he reveals the origins and incredible growth story of the globally renowned VFX house
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Weekly: What I learned from my first rodeo at SXSW
What drew Blue Ant Studios’ Lilla Hurst to attend the Austin event and what did she find when she got there?
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Comment: Is SRT the future of broadcast?
Thomas Lind, product management director at Appear, examines the technology’s benefits
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TV must acknowledge its ageism problem
Dr Carole Easton on why a recent parliamentary report should herald a watershed moment for on-screen representation of older people
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Cold Haven: how Iceland is hotting up
Glassriver chief Andri Ómarsson on what the Nordic nation’s biggest prodco can teach the world
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IWD 2025: Encouraging opportunities for women in technology
Grace Boswood, technology & distribution director at Channel 4, explains how the broadcaster is seeking to accelerate change in the industry
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IWD 2025: How to make tangible steps towards lasting change
Victoria Poole, founder of IfNotNowWhen, on moving beyond conversations about gender equality and doing something about it
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IWD 2025: Championing diversity and inclusion in the creative industry
Amanda Luckwell, co-founder of Unit, explains how she is leading the charge to accelerate action towards achieving gender equality
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Q&A: How do we deal with overwhelm after a restructure?
In the third piece in a series, executive search and coaching company Quicksmith explains the best approach to supporting staff in the wake of cuts
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Why AI demands a radical re-think around recruitment
Particle6 Productions’ chief Eline van der Velden on picking appointments carefully
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Mip London & Screenings - The Great British Cocktail Party
Format expert Siobhan Crawford on Mip London and London TV Screenings
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BBC facing end of an era as Charlotte Moore departs
Chris Curtis: The corporation’s CCO skilfully navigated the streaming revolution, and her role has never been bigger – or more challenging to fill
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The Basics: What is a green screen studio and how does it work?
Michael Lodmore, duty technology manager at dock10, explains everything you need to know about green screen studios
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Kate Bulkley: The industry needs a more sustainable business model
Following the LA fires, Covid and the US strikes, shows that are repeatable with the ability to go global are key
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The fall of Technicolor – what went wrong
Will Cohen explains why the demise of Technicolor and its UK brands – MPC, The Mill and Mikros – was, sadly, inevitable, and what happens next