Comment
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CommentThe development credit row points to the need for a bigger industry rethink
Give credit where it’s due, but industry must be open to equitable models of pay and collaboration, writes Jon Willers
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CommentSpelling out what Trump’s tariffs could mean for TV
Jeremy Roberts, head of TV & film at London legal firm Sheridans, on the indirect consequences of US action
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CommentWhy Last One Laughing UK is more than just a (very) funny show
Zeppotron/Initial’s Amazon Prime Video production is great example of a pivot paying off, writes Chris Curtis
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CommentPost-production shouldn’t be an afterthought
Collaboration with post teams from inception to completion can yield dividends, says Arrow Media’s head of post-production Kyran Speirs
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CommentRoy Ackerman: Theatrical feature docs are not the only game in town
Powerful, independent films still have a place on linear channels, with cuts to running times and budgets
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CommentI got £50,000 to explore how PSBs could win over Gen Z - this what I found
Wider regulation and content designed for social media will help bring in younger audiences, Toby Cameron says
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CommentRecognition is key to happy and productive workforces in difficult times
Improving staff wellbeing doesn’t have to cost money, says psychologist Janet Evans
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CommentAdolescence is a shot in the arm for UK drama, not its death knell
The global appetite for British stories is vast, and can be captured by all parts of the industry
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CommentDon’t simply blame US streamers for UK drama health
As a COBA report shows UK-US scripted co-commissions are stable, executive director Adam Minns urges measured analysis over alarmist statements
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CommentA show of resilience in times of adversity
‘British indies are doing everything in their power to thrive through innovation’
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CommentThe remarkable history of The Moving Picture Company (MPC)
Mike Luckwell takes a trip down memory lane as he reveals the origins and incredible growth story of the globally renowned VFX house
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CommentWeekly: What I learned from my first rodeo at SXSW
What drew Blue Ant Studios’ Lilla Hurst to attend the Austin event and what did she find when she got there?
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CommentComment: Is SRT the future of broadcast?
Thomas Lind, product management director at Appear, examines the technology’s benefits
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CommentTV must acknowledge its ageism problem
Dr Carole Easton on why a recent parliamentary report should herald a watershed moment for on-screen representation of older people
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CommentCold Haven: how Iceland is hotting up
Glassriver chief Andri Ómarsson on what the Nordic nation’s biggest prodco can teach the world
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CommentIWD 2025: Encouraging opportunities for women in technology
Grace Boswood, technology & distribution director at Channel 4, explains how the broadcaster is seeking to accelerate change in the industry
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CommentIWD 2025: How to make tangible steps towards lasting change
Victoria Poole, founder of IfNotNowWhen, on moving beyond conversations about gender equality and doing something about it
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CommentIWD 2025: Championing diversity and inclusion in the creative industry
Amanda Luckwell, co-founder of Unit, explains how she is leading the charge to accelerate action towards achieving gender equality
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CommentQ&A: How do we deal with overwhelm after a restructure?
In the third piece in a series, executive search and coaching company Quicksmith explains the best approach to supporting staff in the wake of cuts
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CommentWhy AI demands a radical re-think around recruitment
Particle6 Productions’ chief Eline van der Velden on picking appointments carefully