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What’s in store for the future of graphics?
Solution flexibility and ease of use will be key to the future of graphics, believes Kieran Hosking, Ross Video business development manager for graphics in EMEA
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How technology is moving the goalposts for football fans
Steve Knight, CEO of UIC Digital, looks at how technology could bring fans at home closer to games
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British and Irish co-pros just make sense
As neighbours we already have so much in common - and there’s never been a better time to collaborate, says Julianne Forde
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When dealing with tricky personalities, a little psychology can be a very useful thing
In an industry we’re all passionate about, it can be hard not to take conflict personally - but psychologist Janet Evans suggests taking a step back
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What can indies do to survive and thrive in late 2024 and beyond?
Victoria Powell offers advice on how to get through the next difficult few months
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How to retain subscribers from major events such as the Olympics
Lina Tonk, CMO at Recurly, looks into how recent subscribers can be catered for
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Continuing drama is key to addressing TV’s class challenge
The talent working on soaps and long-running drama is right under the industry’s nose - and it is routinely ignored, writes Jon Sen
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Edinburgh 2024: a tale of class and company closures
Economic challenges make the urge to open up the industry even more compelling – but much harder, writes Chris Curtis
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Fatima Salaria: Why I wanted to be part of factual drama’s golden age
A move into new territory was daunting, but I’m relishing the chance to tell under-represented, real-life stories,
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Patrick Holland: We must enable working class voices to succeed
Telly was at the core of my upbringing, and if we want to reach the widest possible audiences we have to be open to all
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TV’s anti-Muslim bias has real-world implications
Hostility towards Muslims in broadcast media contributed to the riots and is driving journalists away, says Tamanna Rahman
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Ian Katz: C4’s future is bright as spend returns to pre-covid levels
Chief content officer says tough decisions had to be taken, but the broadcaster is now in a stronger position to support indies
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Streaming is reshaping the indie sector, as it did viewing habits
The biggest SVoD shows now rival their traditional counterparts and the battle for tentpole titles is polarising production companies
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Scott Bryan: Broadcasters must be bolder with their digital ambitions
More original content on platforms such as YouTube and TikTok is the only way to attract younger audiences
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AI & new tech’s promise for athletics
Alvina Chen, CEO of Feldspar, on how AI and new technologies could improve the viewer experience of athletics
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Fraser Ayres: We must ask whether our industry contributed to the riots
Failure to normalise inclusion on and off screen has a real world impact - we cannot brush it under the rug again
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Rachel Corp: Public service broadcasting is vital in these troubled times
ITN chief executive says misinformation-fuelled violence has highlighted the importance of trustworthy, accessible reporting
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The 5G frontier for sport broadcasting
Eric Bolten, VP of strategic account development at Zixi, explains why he believes sport should embrace 5G
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Why AI is becoming the MVP of the summer sport season
Bob Skinstad, partner at consultancy Elixirr and former South Africa rugby captain, explains how AI is impacting the summer’s sport
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The Basics: What is the difference between a sound stage and a TV studio?
Sam Handsley, studio manager at dock10, explains the differences for the uninitiated