Comment – Page 126
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CommentEyeing indie opportunities in the US
Argonon boss James Burstall travels from Santa Monica to the Canadian Rockies in search of deals.
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CommentCommercial radio: show me the money
Global’s appeal against the decision to block its GMG takeover must be supported.
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CommentYouTube tackles subscriptions
Adam Nightingale on the impact of YouTube’s move into the premium content market on pay TV operators.
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CommentThe golden rules of pitching
Karl Woolley shares his top ten tips for pitching to broadcasters.
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CommentPussy Riot opens Doc Fest
Broadcast’s Peter White on the opening night of the Sheffield festival’s 20th anniversary.
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CommentLearn and move on from DMI
BBC must not let failure force it to shy away from taking risks, says George Bevir
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CommentSecond screen interactivity potential must be explored
More can be done to engage viewers, says Phil Wilce
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CommentJust stick to the day job, will you?
Commissioners: stop dreaming of an indie career and read my pitch, says Steven D Wright
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CommentConfessions of an Alien Abductee
Producer Jayne Edwards talks about avoiding cliches and letting ordinary folk tell extraordinary stories
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CommentDigital's finest converge at Internet Week
Disruption and revolution were trending at Internet Week, says Jacqui Moore
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CommentHorsing around on social media
Social media played a key role in building Horse & Country TV’s niche audience, says Richard Burdett
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CommentThe Great Disappearing Programme Scandal
Every week, hours of shows vanish without trace says Justin Crosby.
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CommentYou the Jury: Jo Brand’s Great Wall of Comedy
Broadcast’s industry review section You the Jury takes a look at Gold’s new comedy panel show Jo Brand’s Great Wall of Comedy.
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CommentTV Critics: David Walliams: Snapshot in Time; The Most Dangerous Man in Tudor England
“I would strongly suggest that you only watch this if you happen to be David Walliams.” Read on for the verdict on last night’s TV.
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CommentReturn of the doc gold standard
Bringing back Modern Times can only be a good thing for TV, says Lisa Campbell.
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CommentGetting the YouTube ball rolling
Bigballs is helping to create a new kind of television, says Kate Bulkley
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CommentWhy scheduled TV still thrives in the face of VoD
Emotional triggers play a key role in how we watch, says Lindsey Clay.
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CommentTV Critics: Love and Marriage; The Apprentice; D-Day
“The jokes will hopefully improve. In the meantime, the drama should keep people tuning in.” Read on for the verdict on last night’s TV.
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CommentTV Critics: The Call Centre; Mad Dogs; What Do Artists Do All Day?
“Rarely for such documentaries these days, The Call Centre didn’t look down on anyone.” Read on for the verdict on last night’s TV.