Comment – Page 248
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CommentBurning issues, cold cash
Campaigning doc-makers must raise finance without losing their soul.
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CommentRadio 4 deserves Rajar success
Without market forces, station’s output is distinctive and high quality.
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CommentBiggest brains to answer the big questions
The Media Festival promises topical debate, says Peter Bazalgette.
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CommentHow a meetings marathon leads to new relationships
Last week’s Screenwriters’ Festival saw the biggest turnout of leading TV and film commissioners and producers ever among its 520 delegates.
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CommentEarly start for Stephenson
BBC drama boss Ben Stephenson’s education has stood him in good stead.
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Comment
The Family / Dollhouse
Robin Parker and Chris Curtis give their verdict on the latest shows.
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CommentIs Ashley Highfield correct to say that the BBC should charge for the iPlayer?
24% said Yes / 76% said No
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Miranda / Is it Better to be Mixed Race? / Sell Me the Answer
Tim Sealey and Mike Reilly on rookie comedy, ‘science’ and bartering.
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Comment
James Newton, Universal Networks Int'
James Newton reveals the biggest lie he’s ever told, his hidden talent and who he’d put in Room 101.
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Comment4 Nov, '09
“They all boil down to one exclamatory syllable. Cor!” Read on for the verdict on last night’s TV.
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Comment3 Nov, '09
“Could not be taken seriously either as history or biography.” Read on for the verdict on last night’s TV.
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CommentRobinson on Rajar
Radio 4’s stellar performance in the Rajar audience figures for the third quarter of 2009 has dominated the headlines but more significantly points to some fundamental shifts in UK listener behaviour, writes Paul Robinson.
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CommentFilming Panorama: The Child Protectors
In the wake of the Baby P scandal, Panorama follows employees in Coventry tasked with identifying “at risk” children to find out if they are being kept safe. Producer/director Emma Loach explains the hurdles that Films of Record had to overcome to make the film.
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CommentThe Garden Shed debate
At the Cheltenham Screenwriters’ Festival, Ann-Marie Corvin hears the BBC trying to stop writers working alone and get them involved in productions.
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Comment30 Oct, '09
“Like a long limber up for The Apprentice.” Read on for the verdict on last night’s TV.
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CommentContent must come first
Amid the C4 senior shuffle and wider digital debate, good TV is still key.
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CommentC4’s slippery YouTube slope
The broadcaster’s innovative deal may yet come back to haunt it.
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CommentWe must embrace failure to find great success in drama
It’s worth the risk if we find the next great British drama series, says Ben Stephenson.