Comment – Page 269
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Blog: The future of rights in Digital Britain
As Digital Britain winds up its second consultation phase, digital content producers and their clients are considering the future of their industry, writes Simon Brickle.
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TV Critics 8 May ‘09
“A dog's dinner of a format.” Read on for the full verdict on last night's TV.
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Scrutiny and stability
The Tories' desired freeze on the licence fee would have an impact on programming.
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Young guns can rescue radio
The industry will only gain from giving airtime to younger players.
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In My View: Current affairs delivers crucial insights
Current affairs delivers crucial insights, writes Denman Rooke.
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TV Critics 6 May '09
'I'm ever so slightly bored by her programme.' Read on for the full verdict on last night's TV.
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Blog: Radio and oracy
A radio service for children would prove an essential tool in the articulation, vocabulary and grammar of Britain's youth. All that's needed is the will to do it, writes Susan Stranks.
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Blog: Why UK television should not be knocked
Three cheers for UK television. Dip a toe in TV elsewhere and you'll find out why, writes Geoff Motley.
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Blog: How luck led to a Bafta for ITV/ITN
Following ITV1 and ITN's TV Bafta win for best news coverage, ITV News international editor Bill Neely explains how luck and talent combined for its award-winning coverage of the devastating Chinese earthquake.
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TV Critics 1 May ‘09
“[It] seems determined to staff what would otherwise be a run-of-the-mill police procedural series with as many wacky funsters as possible.” Read on for the full verdict on last night’s TV.
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A strain on relations
ITV and its indies must practise give and take to maintain their mutual advantages.
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You the Jury: Clelia Mountford and Anke Stoll
Clelia Mountford and Anke Stoll review the latest TV shows
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ITV's brave new video world
Broadcaster's new boss must embrace web revenues to secure its future.
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Blog: Plugging the gap in documentary funding
There is an issue over decreasing funding for new UK documentaries from traditional avenues, especially broadcasters. But that just means documentary-makers have to look beyond the limited UK opportunities and seek support from beyond the UK and beyond TV, writes Charlie Phillips.
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TV Critics 29 April ‘09
“Though it had the typical lightweight BBC3 presentation this wasn't that bad a stab at the issues behind the trade in famous female flesh.” Read on for the full verdict on last night's TV.