Comment – Page 81
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CommentDon’t fret over TV’s future
The young may not be tuning in, but who cares? says Steven D Wright
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CommentBrexit: separating fact from fiction
Leaving the EU presents huge challenges for TV, but it is important to distinguish reality from hyseria, says lawyer Jeremy Roberts
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CommentCannes Lions shows that TV shouldn’t fear the rise of VR
New technology is creating exciting opportunities for indies, says Jack Simcock
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CommentImpartiality rules failed democratic EU debate
Journalists must be free to help public make informed decisions, says David Graham
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CommentDigital threat intensifies for TV
Social media giants are gaining the upper hand, says Kate Bulkley
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CommentRejig rewards Tony Hall lieutenants
James Purnell and Charlotte Moore are the big winners as their personal empires grow, says Chris Curtis
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CommentAdding value to IP is key to success
A clear strategy needs to be in place at every stage to reap rewards, says Andrew Cole-Bulgin
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CommentTesting times for children’s TV
The CMC can help the sector if we work together, says Greg Childs
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CommentWhat did the referendum reveal?
Industry must address how it connects with all parts of the UK
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CommentPSBs must be free to provoke
The Brexit vote has shown public service broadcasters’ folly in chasing the centre ground, says Des Freedman
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CommentSound advice: setting the record straight on ADR
There’s more to capturing great ADR than technology, says Tristan Rose
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CommentWhich drama has the might to take Downton’s crown?
Broadcasters have backed series they think will equal drama’s success, says Stephen Arnell
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CommentAutism is not just what you see on your television screen
Channel 4 gave me the chance to highlight the spectrum of the condition, says Olivia Hale
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CommentAdvertising’s millennial problem
In a world of ad-blocking, new models are emerging, says Kate Bulkley
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CommentBig doesn’t always mean better
Don’t let drama’s scale fixation squeeze out the middle ground
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CommentBrexit: there is too much to lose
Leaving the EU would mean job losses, restricted access to talent and a tougher export market, argues David Johnson
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CommentWhy Let It Shine fails to light my fire
Broadcast news editor Jake Kanter turns the spotlight on BBC1’s search for the stars of a Take That stage musical.
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CommentEscape To The Chateau: filming a French fairytale
Ahead of its final episode on Sunday, director Paul Crompton blogs on the experience of creating and making Channel 4 series Escape To The Chateau.
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CommentTV isn’t lacking ballsy women
Is confidence the issue, or old-fashioned sexism? asks Steven D Wright
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CommentPublic service content fund should not be limited to TV
White paper should allow us to cater for children on all platforms, says Matt Deegan