All Critics articles – Page 97
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CriticsThe Durrells; The Good Karma Hospital
“Watching The Durrells is like taking a warm dip in the Ionian Sea after a glass of robola”
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CriticsDo The Right Thing; My Baby’s Life: Who Decides?
“Ruth and Eamonn have conjured up a straightforward remake of That’s Life!”
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CriticsSaving the British Bulldog; The Assassination of Gianni Versace
“A thorough investigation that ought to make anyone think twice about buying the breed”
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CriticsThe Ruth Ellis Files
“This trenchant investigation uncovered enough new material to make us rethink the entire story”
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CriticsBeing Blacker; Jane; The Repair Shop
“A big, beautiful sprawl of a film, that spans continents as well as generations”
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CriticsStill Game; Not Going Out; Civilisations
“A sharp-witted, old-school sitcom, but with an original twist”
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CriticsLucy Worsley’s Fireworks for a Tudor Queen
“Perky history with an explosive finale, but overlong at 90 minutes”
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CriticsThe Seven Year Switch
”A marginally less tawdry version of C5’s gruesome Love Island knock-off, Make or Break. It’ll probably do well”
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CriticsCollateral; Imagine; Marcella; Action Team
“This was a rather bleak, unsatisfying and empty conclusion to the saga”
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CriticsChurchill’s Secret Affair
“It’s a bloody good story. Outrageous toffs, adultery, fascists – what more could you want?”
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CriticsThe Assassination of Gianni Versace
“A lush, gossipy tour de force that dazzles and tantalises in equal measure”
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CriticsAmazing Hotels; 100 Years Younger in 21 Days
“It was an amazing hotel, for sure, but we didn’t see much of the life beyond the lobby, beyond exactly what the hotel wanted us to see.”
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CriticsStrike: Career of Evil; Top Gear
“Manages to be modern yet old-fashioned, discomfiting yet cosy, absurd yet plausible. If you ask me we’ve found our next great TV detective”
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CriticsYoung Sheldon
“It’s all as sentimental as country music, and a reminder that there’s nothing quite as insufferable as an American TV child”
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CriticsMurdered for Love? Samia Shahid
“This was certainly TV with a sense of consequence and purpose”
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CriticsMum, Here and Now, Working with Weinstein
“The humour is in the way the characters love each other, even when they’re being most hurtful”
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