Features – Page 54
-
Behind The ScenesLenny Henry's Got The Blues, Sky Arts
Lenny Henry wanted to know why there are so few black British blues singers. The story we uncovered was far more colourful and complex than we ever imagined, says Chris Wilson
-
Behind The ScenesThe Boy Who Wanted His Leg Cut Off, BBC3
BBC3 took a risk with our doc, but it was a human story worth telling, says Jazz Gowans
-
Behind The ScenesSupershoppers, C4
Firecrest’s Nicole Kleeman on combining satire with stunts to create a new kind of consumer programme
-
Behind The ScenesCuffs, BBC1
First-time director and former rally driver Nick Rowland is in the hot seat for the climax of BBC1’s pacy crime series. Adrian Lobb visits him on set
-
FeaturesDrama: hits and misses
Will the low ratings of BBC1’s Jonathan Strange & Mr Norrell force a retreat into safer territory? Paul Whitelaw examines why acclaimed dramas don’t always connect with viewers
-
Behind The ScenesDispatches: Escape From Isis, C4
We were prepared for harrowing tales of life under Isis, but never expected positive stories to emerge from the horror, says Edward Watts
-
Behind The ScenesThe Outcast, BBC1
Novel, film or TV series? BBC1’s new drama has been all of these at some point in its development. Olly Grant hears about its unusual journey to TV
-
The Broadcast InterviewJon Rolph, Retort
Retort managing director Jon Rolph talks to Matthew Campelli about the lack of working-class heroes in contemporary comedy - and his ambition to create something for everyone
-
Behind The ScenesCBBC Official Chart Show
Our young production team had no previous experience of working in television, but stacks of ability and the confi dence to take on anything we threw at them, says Steve Wynne
-
Behind The ScenesThe Bank, BBC2
We ditched the fixed rig for our bank doc when we realised where the real action was, says Zac Beattie
-
Behind The ScenesHumans, Channel 4
Getting the look and movement right for our ‘synths’ was no small task, says producer Chris Fry
-
FeaturesDrama Special: Training
Drama producers are looking for innovative training methods. Robin Parker hears how Tiger Aspect is taking the initiative, while graduates of a Creative Skillset scheme discuss their experiences
-
The Broadcast InterviewSteve November, ITV
ITV director of drama Steve November tells Matthew Campelli about his plans to refresh the schedule after Julian Fellowes’ hit period piece comes to an end later this year
-
FeaturesDocs in rude ratings health
From series to one-offs, ratings for the past 18 months show documentaries remain a key part of the schedule - and putting ‘cats’ in the title usually pays off. Stephen Price examines the figures.
-
Behind The ScenesBritain's Busiest Airport, ITV
Ensuring our ob-doc series would avoid becoming a puff piece for the UK’s biggest airport demanded buy-in from every corner of this ‘mini city’, writes executive producer Tim Wardle
-
Behind The ScenesThe Tribe, C4
With long days, floods and intense heat, C4’s first foreign fixed-rig series took me out of my comfort zone, says Paddy Wivell. But focusing on the basics of storytelling carried us through
-
FeaturesRoundtable: the future of factual
Film-makers discuss the state of the genre, from brands’ over-the-top demands in exchange for access to the impact of subscription platforms and BBC3’s move online. Robin Parker reports
-
The Broadcast InterviewSean McAllister: A Syrian Love Story
Seasoned documentary-maker Sean McAllister talks to George Bevir about filming during the Arab Spring, and why commissioning editors should reject the urge to play it safe
-
Behind The ScenesT. Rex Autopsy, Nat Geo
Building a full-size, anatomically correct model of a T. rex that could be dissected on TV was a labour of love that took months of painstaking work. Olly Grant finds out how it was done
-
The Broadcast InterviewRicochet
It’s been a busy time for Ricochet since Jo Ball became chief exec last year, with Katy Thorogood joining Simon Knight to help expand the indie’s slate. Hannah Gannagé-Stewart meets the trio