Features – Page 138
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FeaturesBad Teen To Ballroom Queen
“Bad Teen is not just a dance show, but a way to explore the hopes and dreams of young people”
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FeaturesHooq: Local shows join slate of US content
Platform also keen to begin co-producing with partners in Indonesia and the Philippines
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FeaturesParamount Network: Viacom-owned channel joins power league
A focus on mysteries, thrillers and dramas about dysfunctional families
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FeaturesC More: Nordic SVoD adopts English to boost sales
Channeling more investment into originals - with a focus on English-language content
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FeaturesA&E: US channel makes room to experiment
Hunting close-ended formats that tap into the zeitgeist
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FeaturesShowmax: South African SVoD on hunt for originals
’Open and receptive’ to working with global producers
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FeaturesDrama leads the way for kids
SVoD services are forging co-pro deals to make high-quality scripted series
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FeaturesGrudge Race
“Racing fans are one of the largest under-served audiences in the country. The show does well on TV and social media”
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FeaturesState of Hate
“By the end, competitors were hugging and admitted they should not have been so quick to judge people”
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FeaturesRising optimism despite challenges
Opportunities provided by the SVoD platforms are fuelling confidence
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FeaturesNetflix takes a seat at the top table
SVoD service is named among the best broadcasters to deal with for the first time
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FeaturesN&R market set for fresh growth
Increased BBC production quotas and Channel 4 relocation are expected to stimulate regions
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FeaturesLeft Bank takes the indie crown
The Crown and The Replacement indie sits comfortably at the top of our peer poll
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FeaturesC4: Strong diversity performance
Broadcaster took the top position in Ofcom’s Diversity in Broadcasting report
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FeaturesUKTV: Originations up by more than a third
Broadcaster forecasts 500 hours of originations in 2018
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FeaturesITV: Focus on drama shakes up suppliers
Broadcaster spent £230m on the indie sector and worked with 18 fewer production companies