Features – Page 170
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FeaturesRobot Wars
Provide all the physical special effects for the main hazard areas in the Robot Wars arena
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FeaturesMedia Asset Management
The cloud is now capable of handling many of the processes involved in TV production, but can it be extended to include content management as well?
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FeaturesMusic placement: the rise of sync
Leading industry figures discuss how the commercial placement of songs is striking a chord with artists, the music world and broadcasters.
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FeaturesThe Investigator: A British Crime Story
Create a cinematic title sequence for the 4 x 60-minute crime series.
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FeaturesUrbex Enter At Your Own Risk
Complete audio and picture post on an eight-part documentary series about urban explorers.
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FeaturesRobot Wars
Create a logo, title resolve and programme graphics for the new six-part incarnation of Robot Wars.
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FeaturesSky Cinema Idents
Complete sound design on a series of idents promoting Cinema, the replacement for Sky Movies.
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FeaturesEd Havard, Channel 4
Widely praised for its Paralympics coverage four years ago, Channel 4 plans to go bigger and better in Rio. Head of TV events Ed Havard tells Miranda Blazeby what’s in store
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FeaturesGypsy Brides US
Post-production on an 8 x 45-minute series that follows young members of the travelling community as they prepare for one of the biggest days of their lives.
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FeaturesSwim The Channel
Post-production on a 1 x 60-minute doc about the modern-day endurance swimming community and the athletes who risk crossing the English Channel.
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FeaturesForces of Nature with Brian Cox
Post-production on a 4 x 60-minute series in which Professor Brian Cox reveals how the planet’s beauty is created by just a handful of natural forces.
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FeaturesJust Call Me Martina
Provide remote offline editing facilities followed by complete picture and audio finishing on a 1 x 60-minute doc about tennis legend and gay rights campaigner Martina Navratilova.
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FeaturesEducating Joey Essex
House the offline and complete full post on the travel show in which the reality TV star bids to fill gaps in his knowledge.
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FeaturesThe Living and The Dead
Provide picture post on the 6 x 60-minute supernatural period drama.
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FeaturesGoing live on social media
As Facebook, Twitter, YouTube et al ramp up their live video capabilities, broadcasters are jumping aboard in a bid to grow their audience and reinforce their brand, says Kate Bulkley
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FeaturesFinancing drama - funding TV's golden age
As UK drama competes on an increasingly global stage, budgets are going up and having a single broadcaster attached is no longer enough. Neil Midgley reports
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FeaturesHow to extend the life of your IP
From upgrading classic dramas to recutting factual, Kate Bulkley examines how distributors and producers are getting the most from their properties in a rapidly expanding market
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FeaturesHow to finance your start-up indie
From small producers to broadcasters and super-indies, Neil Midgley hears from both sides of the deal about the key ingredients needed to ensure that a production investment pays off