Features – Page 81
-
FeaturesConviction: The Case of Stephen Lawrence
‘The drama will sell because it is a powerful story’
-
FeaturesHollington Drive
‘The complexity of modern families and the lengths we go to in order to protect the people we love is something that we can all relate to’
-
-
FeaturesThe Cleaner
‘The cast is a dream and each episode has something new and distinctive to offer’
-
FeaturesMipcom Hot Picks: UK scripted
‘Crime has two things in abundance that help it’s global appeal: strong IP and talent’
-
FeaturesGlued to the Screen: Ted Lasso
Apple TV+’s comedy-drama delivers the ultimate fish-out-of-water story and none of the usual clichés, says Kristin Jones
-
FeaturesFocus Group: What is the next hot territory for formats?
Our five panellists make their case
-
FeaturesFox eyes global formats
Rob Wade explains how the US network’s new investment fund helps producers create hits
-
FeaturesSoaring costs give cause for concern
Continuing Covid compliance, competition for rights & inflated production expenses are creating a challenging environment for the sector
-
FeaturesPeer poll: Four in a row for All3Media
Distributor tops the peer poll once again, as investment in content wins over rivals, while kids’ specialist Jetpack enters top five
-
FeaturesHow to pick the perfect distributor
Three leading producers reveal what they are looking for in a partner
-
FeaturesDistributors weather the Covid storm
Firms well placed for quick return to profit despite halt in the market’s relentless growth
-
FeaturesGallery: Sex Education
Selection of images from the third series of the Eleven Films drama for Netflix
-
FeaturesGallery: Animals with Cameras
Selection of images of the BBC2 wildlife documentary series fronted by Gordon Buchanan
-
FeaturesEnd Credits: Kieran Doherty
The co-managing director of Stellify Media on CrossFit, Sean Connery and Can’t Touch This
-
FeaturesGrowing up fast: the rise of AvoD
Though still to make a mark in the UK, AVoD platforms have exploded in the US, with those offering a ‘lean-back, linear experience’ the most in demand
-
FeaturesGlued to the Screen: The Parisian Agency
Netflix’s French original turns the dial on the property format and adds some Gallic flair
-
FeaturesSlow progress on industry diversity
A year after a wave of major representation commitments by the UK’s biggest broadcasters, there is still much to do
-
FeaturesSue Murphy: broadening youth appeal on ITV2
Channel set to add darker tone to non-scripted entertainment slate with stories centring on social media
-
Features9/11: One Day In America
‘We knew we had a responsibility to show what happened without sanitising the truth because so many of these deaths were horrendously violent’