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Indies Comment – Page 2
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CommentDiversity schemes are great – but they need to go further
A scheme launched my career and innovative new initiatives can do the same for the diverse voices we need in this industry, says Nacressa Swan
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Don’t let labels define your indie
Chatterbox creative director Nav Raman queries value of being identified as a ‘BAME-led producer’
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Insurance breakthrough paves way for autumn restart
Optimism that prodcution capacity could shortly be back to 70%-80%
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TV is an infinity mirror of itself
For too long we have dumbed down and homogenised the way we represent our nation, says Andrew Robertson
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Squeezed indies caught in the middle
Tough choices for production sector as it gets back to work
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The co-production survival guide
Working with production partners isn’t perfect but it’s more necessary than ever, says Stuart Carter
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Indie leadership lessons are vital - so let’s share them
ScreenSkills and Broadcast hosting 22 July event to discuss challenges of the pandemic
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Ingenuity and insurance key as production restarts
Creative thinking is central to helping overcome social distancing obstacles
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Hints of progress after a brutal few weeks
Indie sector on tenterhooks as it edges towards getting back to work
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Protect creativity and the future could be perfect
Covid-19 poses commercial challenges for producers and distributors but there is opportunity ahead if we are collectively smart, says Jimmy Humphrey
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Hitting a century: the benefits of a high volume returner
Inside the Ambulance has transformed Brown Bob and given us confidence to spread our wings, says Jacqueline Hewer
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Lockdown is hard on young TV staff
Working from home with my adult children has reminded me of how lockdown is affecting our younger staff at Arrow, says Nick Metcalfe
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Knowledge is power - and it’s time to share
Production strategies to combat coronavirus must be openly discussed
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VE Day in Lockdown: we borrowed our neighbours wifi
With our presenter on lockdown and the edit moved to the shed, our Discovery doc became a domestic affair, says Kate Beal
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Lockdown TV: it’s time for phase two
Right now, viewers want escapism - not self-filmed fodder or coronavirus docs that feel like an endurance test to watch, says Mark Downie
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How Red Sky scored commissions during lockdown
The current climate forced us to essentially rip our indie up and start again, but new business shows we made the right choice, says Jane Rogerson
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Reality smash offers reasons to be cheerful
Too Hot to Handle should pave the way for a British boom in Netflix non-scripted
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A time for bold ideas to bloom
There’s never been a more important moment for indies to think even more creatively, says STV Productions chief David Mortimer
