Indies Comment – Page 4
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Six ways to make production management fun again
Big Little Fish’s Georgina Surtees delivers her blueprint to ‘make production management a desirable career path’
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We need more bridges to the disabled community
Jack Thorne’s MacTaggart proves that advocates and those with knowledge of the issues can enable the best disabled stories, says Sara Johnson
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Will this (finally) be disability’s breakthrough moment?
Scattered Pictures boss Kim Tserkezie is hopeful Jack Thorne’s MacTaggart Lecture will bring meaningful change in the industry
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TV should not be afraid to tackle class issues head-on
The sector should think hard about which definition it opts for, says Elsa Sharp
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Resisting privatisation doesn’t mean keeping the status quo
There’s no doubt C4 needs to change – but that’s far more likely if it retains its public ownership
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AVSR: the revenue stream indies are missing
Little is known about secondary rights but they are worth cash to every producer, says Mark Rowland
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We have a duty to ensure C4 survives
If the PSB is privatised, it would kill off a genius child of British broadcast says producer Dermot Lavery
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PSBs are ignoring their remits in the Midlands
Some regions are more equal than others and broadcasters’ programme spends prove it, says Mike Bradley
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Stand up and be counted on issues that affect our industry
It’s time to make sure our voices are heard when it comes to creative sector public policy, says Peter Bazalgette
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The government is gunning for C4 – so it’s time to speak up
Britain’s whole TV ecology is at risk as the government kicks off its push for privatisation
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I’m Jewish – why don’t I ‘count’ as BAME?
Being told Jews aren’t included in PSBs’ diversity counts is hurtful and unhelpful, says Michelle Singer
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Don’t do a disservice to production managers
TV has ignored PMs for too long but the Covid crunch has proven how vital – and scarce – they are, says talent manager Kimberly Godbolt
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RIP to my Holby City family
Don’t let the heart of BBC1’s medical drama be forgotten, says David Innes Edwards
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N&R indies must target premium factual
The growing number of regional indies means producers must engage SVoDs to land work, says Ben Smith
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Be nimble and open-minded to thrive in changing times
Argonon will adapt to new platforms, content providers and shifts in consumer behaviour as it enters its second decade, says James Burstall
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Impartial news is the bedrock of our PSB system
ITN’s special recognition win at the Broadcast Awards underlines the need for public service journalism, says Deborah Turness
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Don’t let indie TV become the new ESL
There are many parallels between the shape of the UK production sector and the failed European Super League project says Danny Fenton
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Meetings are magical – but new ways of working are here to stay
Remote working has been a boon for many in the industry and it would be a shame to lose that flexibility
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When adapting IP, channel your inner Bear Grylls
Collaboration, compromise and teamwork are crucial when transposing IP from one medium to another, says Giuliano Papadia
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Helping kids understand autism through TV
Our Cbeebies series Pablo has become a great tool for explaining how people interpret the world, says Gráinne McGuinness