Latest – Page 414
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TSI invests to help TV content move online
Content management and transmission company TSI has launched two services for production companies that are looking to move their programming online.
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Ice Patrol goes tapeless
The makers of a new high definition ob-doc for Five and National Geographic are hoping that tapeless camera technology will help them successfully complete 16 weeks filming and editing on a Royal Navy ship bound for the Antarctic.
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Ionostorm to calm participation TV fears
ionoco and Content Guru have fused together their Storm and graphics technologies to create a new end-to-end innovation designed to help producers create participation TV formats.
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Hireworks invests in new Avid systems
Hireworks, the Pinewood based Film and TV editing equipment rental company, is continuing its current expansion by investing more than£300,000 in new Avid technology.
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Satellite distribution to cinemas trialled
Arts Alliance Media has succeeded in transferring an entire digital movie to a cinema using Arqiva's Content Delivery Network.
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iPlayer becomes handier viewing option
The BBC has announced agreements with technology and licensing companies CMLA, Coremedia and Intertrust that will see the corporation's iPlayer become available on a wider range of mobile handsets.
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Mitsubishi adds laser light source HDTVs
Mitsubishi has introduced two new high-end LaserVue consumer HDTV sets that produce twice the colour output of a standard consumer HDTV.
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The Mill joins the data lab providers
The Mill is the latest facilities company to launch a dedicated Data Lab service offering to oversee tapeless shoots and deal with footage through pre, production and post.
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Panton enters the Frame
Rushes has appointed Framestore CFC's Alex Panton as telecine and DI sales producer.
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Mixers make the Cut
Director's Cut has taken on dubbing mixers Steve Crook and Pete Dixon, formerly of M2/Rocket, to man the top floor of the facility.
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Cox quits Concrete
Concrete Post Production director David Cox has resigned from the company's board citing “differences in management styles”.
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Arri takes 50th SRW-1
Sony has delivered another SRW-1 videotape recorder (VTR) to Arri Media, the 50th unit the manufacturer has sold to the equipment hire company in three and a half years.
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Jobs to go as Quantel focuses on software
Editing and effects systems manufacturer Quantel is to cut a significant number of jobs as part of plans to concentrate on software rather than hardware development, Broadcast has learned.
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3,000 hours of history go online
Colleges are to get free online access to more than 3,000 hours of film and TV news from the past 100 years following a collaboration between academia and the broadcast industry.
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Rogue Element Films in TV push
Rogue Element Films is hoping to attract more TV producers by offering up its inventory of lenses and 35mm support equipment for hire via a dedicated rental service.
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Dolby Digital Plus added to ContentAgent
Root6 Technology has added Dolby Digital Plus to the post-production deliverables on its ContentAgent repurposing platform.
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Case study: You Are Powerful
How three Soho post facilities joined forces to work on a hard-hitting and poignant project for Amnesty International.
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Free satellite services boom
More than 900,000 households in the UK now own equipment that gives them access to free satellite television services, according to Ofcom.
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Satellite the key to mobile TV success, says report
Mobile satellite services that allow users to receive television and radio on mobile phones and in vehicles even when in remote regions could soon be available across Europe, according to the findings of a new report.
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Case Study: Big Cat Live
BBC Post Production is supporting Big Cat Live with a tapeless workflow set-up designed to help the show's editors and web producers prepare and transmit content simultaneously whilst on location.