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“It’s not a PR job for the Foreign Office, but it’s not a hatchet job either. We examine how it all works without an agenda”
Executive producer Adam Tandy lifts the lid on the delicate staging of BBC Studios’ elaborate hoax
Flushing out the secrets of London’s sewers
Fishing for comedy talent in a deeper pond
Drama is on a high but how much is this success benefiting producers?
Capturing the chaos of Britain’s drugs problem
Turning zoo life into animal magic
Dial 999 for non-stop drama
Shooting an entire programme on smartphones
Perceptions of production music are changing as TV becomes increasingly international and licensing of commercial tracks gets more complicated.
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