Broadcast Interview – Page 23
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The Broadcast InterviewAnne Morrison, BBC Training and Development Academy
The director of the BBC’s Training and Development Academy is keen to boost training beyond the corporation.
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The Broadcast InterviewKim Longinotto, documentary maker
She loves X Factor, thinks her new film knocks C4’s India season for six and is personally handling its distribution. Kim Longinotto tells Chris Curtis why docs have a duty to tackle issues head on.
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The Broadcast InterviewCatherine Whelton, Yesterday (UKTV)
Having won an extension in its Freeview hours, UKTV’s Yesterday is looking to build on its original commissions. One of the channel’s commissioning editors speaks to Alex Farber.
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The Broadcast InterviewJane Root, Nutopia
Jane Root’s indie Nutopia has had a channel-defining hit with The Story Of Us. She talks to Robin Parker about cracking America.
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The Broadcast InterviewJon Snow: the king of current affairs
After 37 years in the industry, Jon Snow remains as passionate as ever about news. He tells Jake Kanter why he believes UK foreign reporting is in rude health despite some damaging trends.
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The Broadcast InterviewMartin Davidson, history/business, BBC
The commissioning editor of history and business wants series that ask provocative questions, and more ‘cross-pollination’ between genres.
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The Broadcast InterviewDaniela Neumann, Bravo
The director of programmes is out to change perceptions of the channel, with populist shows that appeal to women as well as its traditional audience of young men.
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The Broadcast InterviewBen Gale, factual, BBC Bristol
After a brief period at Five, Ben Gale returned to the BBC to head up Bristol factual. He tells Katherine Rushton about his plans.
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The Broadcast InterviewPat Younge, BBC Vision Productions
The head of BBC Vision Productions aims to boost morale and make in-house production truly multimedia, he tells Katherine Rushton.
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The Broadcast InterviewRalph Lee, specialist factual, Channel 4
C4’s head of specialist factual doesn’t want to fall into the trap of making great programmes that get lost in the schedules. Commissions must make an impact, he tells Robin Parker.
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The Broadcast InterviewMark Linsey, BBC entertainment
Filling the gap left by the departure of Jonathan Ross is a key priority for the BBC’s head of entertainment commissioning. And he’s looking to indies for fresh ideas.
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The Broadcast InterviewJoe Godwin, CBBC
Joe Godwin may be looking for an issues-led drama for CBBC - but the new BBC Children’s director believes it can be gritty without being miserable.
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The Broadcast InterviewJo Ball, features, BBC1/BBC2
The commissioning editor for features at BBC1 and 2 is on the lookout for programmes that manage to be both entertaining and tackle serious issues.
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The Broadcast InterviewOona King, Channel 4
Channel 4’s Oona King tells Lisa Campbell why broadcasting must be opened up to people of different backgrounds, and how the CDN is proposing to change the industry’s mindset.
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The Broadcast InterviewRemy Blumenfeld & Paul Buccieri, ITV Studios
ITV Studios’ UK and US bosses are looking for new indie partners and fresh formats that work in multiple territories.
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The Broadcast InterviewDonna Taberer, Five
The commissioning editor of entertainment and features is changing perceptions of Five and positioning it as a ‘nimble’ operator primed to quickly turn around ideas.
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The Broadcast InterviewClaire Zolkwer, ITV entertainment
The broadcaster’s commissioning editor of entertainment wants more channel-defining celebrity reality series, plus fresh ideas for family-style gameshows.
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The Broadcast InterviewDanny Fenton, Zig Zag
With the might of Banijay behind him, Zig Zag’s MD says the Clerkenwell indie is primed to go global.
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The Broadcast InterviewKevin Sutcliffe, Dispatches
After a year dominated by foreign issues, C4’s Dispatches commissioning editor says it’s time to return to the domestic agenda, but the strand will be no less hard-hitting.
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The Broadcast InterviewLiz Murdoch, Shine Group
It’s taken Shine just nine years to grow into a global powerhouse, and its founder and CEO is no less passionate about the indie and its impressive pool of talent, writes Katherine Rushton.