All Comment articles – Page 90
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CommentThere’s no better training than working on a live OB
Experience on these difficult productions is invaluable for directors, says Ian Russell
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CommentDiversity? Janet Street Porter had the right idea
‘Yoof ’ TV pioneer hired people based on talent, not background, says Len Brown
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CommentIt's TV, but not as we know it
Our definition has to change to fit the audience, says Kate Bulkley
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CommentStability returns to market
After much consolidation the previous year, 2015 was a relatively quiet period for ‘true indies’. But while the economics are improving, long-term sustainability remains a problem for many
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CommentLet’s protect C4’s unique remit
Privatisation is a solution to a problem that does not exist
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CommentWhy we all must take risks on emerging comedians
TV needs to act decisively or there won’t be a new generation of talent, says Iain Coyle
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CommentComedy works perfectly on social media if done well
Twitter is great for continuing the laughs once the show has ended, says Laura-May Coope
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CommentGolden age? You must be joking
Comedy is subjective but the quality is as high as ever, says Phil Clarke
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CommentCharlotte Moore gets defensive – again
BBC controller can’t simply ignore criticism over distinctiveness
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CommentReinventing drama for Kenya
Lisa Sabina Harney’s debut as a series director took her to Nairobi, with a mission to empower women on- and off-camera.
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CommentTime for indies to engage in future of kids TV
Making children’s TV is a job, not a hobby, yet still producers must fight to get it taken seriously, argues Tony Collingwood
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CommentIt’s great to be a woman working in TV
We’re not there yet, but we’ve come a long way towards gender equality, says Kate Beal
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CommentTV has a lot to learn about supporting working mums
Other industries find flexible solutions so why can’t this one? asks Rakhee Rajani
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CommentThe future of TV advertising
Programmatic sales are set to become the norm, says Kate Bulkley
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CommentWhy make BBC1 less popular?
Quality is just as important as distinctiveness to licence fee payers
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CommentDear diary, what of TV’s future?
Can we trust tomorrow’s shows to today’s teens? asks Steven D Wright
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CommentTime to tackle licence fee process
Consensus is that last summer’s agreement was unsatisfactory
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CommentWhy The X Factor remains on song
Executive producer Richard Holloway explains why The X Factor remains part of the fabric of the nation, despite declines in ratings and reports of the show’s demise
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CommentEurope is more than a single market
Removing borders for TV and film could dilute content and distort the market, says Michael Maxtone-Smith
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CommentDramatic accuracy helps OJ drama hit the mark
Detail makes for gripping viewing, says the editor of the BBC’s coverage of the 1995 trial