Comment – Page 5
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CommentUS to be fertile ground for docs
Strong factual community can capitalise on shock Trump win, says Chris Curtis
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A great market in store
Mipcom is the biggest international television event of the year and Broadcast, with our increased focus on the international sector, has responded by dedicating an 88-page issue – one of the biggest of the year – to all things global.
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Mip is still a must-attend event
The market has changed, but Cannes continues to be the place to strike deals, says Ben Barrett
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Brexit: separating fact from fiction
Leaving the EU presents huge challenges for TV, but it is important to distinguish reality from hyseria, says lawyer Jeremy Roberts
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TV and online worlds collide
Netflix, touted for years as the bogeyman for linear broadcasters, is beginning to work closely with its traditional rivals in the latest phase of its global expansion.
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Cable convergence will deliver for consumers
US and European cable giants are quietly transforming the way we innovate, invest and connect, says Matthias Kurth
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The story behind a successful Korean co-pro
The Bridge founder Amanda Groom this week won an award for the Most Significant Contribution to the UK-Korea TV Creative Collaboration at an event organised by the London Korean Drama Club. Here she reveals the story behind RTS Award-nominated S4C film Tears of Blood, which was co-produced by a ...
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Content is king for big brands
From Coke to Barbie, Mip TV was the place to be, says Kate Bulkley
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Less is more for Mip TV buyers
Deals are for quality, not quantity, while drama remains the focus
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Broadcast goes global
Broadcast, like much of the British independent production sector, is going global.
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Think commercial to get ahead in the US
In such a competitive market, originality counts - but ratings are king, says Ricky Kelehar
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Reinventing drama for Kenya
Lisa Sabina Harney’s debut as a series director took her to Nairobi, with a mission to empower women on- and off-camera.
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Keeping SVoD in perspective
Netflix and Amazon are about subs not viewers, says Kate Bulkley
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UK’s doors must stay open
Tax incentives have created a production golden age, says Tom Avison
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How Downton put UK back on the map
Period drama’s legacy will be that it made the world sit up and take notice of British scripted shows, says Gareth Neame
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Mipcom rallies after flooding subsides
Mipcom rallied after being struck by floods on Saturday night, according to Jake Kanter, with buyers’ appetites remaining strong.
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Asian TV market offers a unique opportunity for UK
Rapid growth in channels means there are a lot of slots to fill, says Amanda Groom
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Digital strategy key for BBCW
Smart manoeuvring can help Davie meet targets, says Kate Bulkley
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In defence of PBS
BBC supporters say cuts could turn the corporation into a UK version of the ad-free US network. Is this such a bad thing, asks Stephen Arnell
