Comment – Page 5
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CommentBroadcast goes global
Broadcast, like much of the British independent production sector, is going global.
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Think commercial to get ahead in the US
In such a competitive market, originality counts - but ratings are king, says Ricky Kelehar
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Reinventing drama for Kenya
Lisa Sabina Harney’s debut as a series director took her to Nairobi, with a mission to empower women on- and off-camera.
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Keeping SVoD in perspective
Netflix and Amazon are about subs not viewers, says Kate Bulkley
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UK’s doors must stay open
Tax incentives have created a production golden age, says Tom Avison
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How Downton put UK back on the map
Period drama’s legacy will be that it made the world sit up and take notice of British scripted shows, says Gareth Neame
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Mipcom rallies after flooding subsides
Mipcom rallied after being struck by floods on Saturday night, according to Jake Kanter, with buyers’ appetites remaining strong.
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Asian TV market offers a unique opportunity for UK
Rapid growth in channels means there are a lot of slots to fill, says Amanda Groom
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Digital strategy key for BBCW
Smart manoeuvring can help Davie meet targets, says Kate Bulkley
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In defence of PBS
BBC supporters say cuts could turn the corporation into a UK version of the ad-free US network. Is this such a bad thing, asks Stephen Arnell
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The benefits of thinking global
International formats are setting the pace for UK broadcasters
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Chinese formats on the rise
Tantrums, censorship and celebrity remakes were all on the agenda for DRG’s Jeremy Fox on a visit to China
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Children's media rings the changes
This year’s Kidscreen was buzzing with talk of new horizons. Sarah Baynes reports from Miami
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Beware 'infotainment confusion syndrome'
NBC anchor’s fall is a sad reflection on the blurring of news and entertainment
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Korea is open for business
Co-production links are being forged betwen Korea and the UK, says Amanda Groom
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How French TV coped with Paris tragedy
The Charlie Hebdo attack forced French broadcasters to confront how they break rolling news
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Human tales from the frontline
ITN Productions’ Chris Shaw recounts producing Grierson Award-winning doc Children on the Frontline.
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The battle for male viewers heats up
Can Viacom crack the male audience with the UK launch of Spike TV? Stephen Arnell weighs up the evidence
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Why ‘blind auctions’ may be good news
Practice of pitching to broadcasters simultaneously is coming to the UK
