Comment – Page 6
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CommentThe UK will always be the home of good TV
With Brexit looming, why has a French indie launched in the UK? Samuel Kissous explains
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CommentCanada rises to Netflix challenge
The country’s relationship with the SVoD service is an example to us all, says Kate Bulkley
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CommentLook overseas for a way to beat the uncertainty of Brexit
Weak pound makes buying British attractive for foreign broadcasters, says Danny Fenton
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CommentWhat’s next for Harvey Weinstein?
Following a number of sexual harassment claims, Jeremy Kay considers the future for the film and TV mogul
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CommentDirect-to-consumer all the rage
Attribution and desire to retain value behind plethora of launches
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CommentBBC to sum up Netflix challenge
Research into this crucial issue will be illuminating for the industry
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CommentThe elephant in the writers’ room
UK producers are doing themselves no favours with US execs when they can’t explain whose vision they are buying
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CommentA catch to safeguard the future
Discovery’s acquisition of Scripps is a nod towards TV’s changing reality, says Kate Bulkley
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CommentUK-based international channels need Brexit clarity
Firms may have to move their operations to another member state, says Adam Minns
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CommentThe new normal
Six months into my time at Broadcast, and indeed the UK, I’m carving out a new normal – one that’s not 20 degrees below zero, and with ace television.
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CommentFormat business back in vogue
Non-scripted shows from the UK are punching above their weight
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CommentNew era on the horizon for OTT
Are Amazon and Netflix moving closer to traditional broadcasters?
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CommentUS to be fertile ground for docs
Strong factual community can capitalise on shock Trump win, says Chris Curtis
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CommentA great market in store
Mipcom is the biggest international television event of the year and Broadcast, with our increased focus on the international sector, has responded by dedicating an 88-page issue – one of the biggest of the year – to all things global.
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CommentMip is still a must-attend event
The market has changed, but Cannes continues to be the place to strike deals, says Ben Barrett
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CommentBrexit: separating fact from fiction
Leaving the EU presents huge challenges for TV, but it is important to distinguish reality from hyseria, says lawyer Jeremy Roberts
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CommentTV and online worlds collide
Netflix, touted for years as the bogeyman for linear broadcasters, is beginning to work closely with its traditional rivals in the latest phase of its global expansion.
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CommentCable convergence will deliver for consumers
US and European cable giants are quietly transforming the way we innovate, invest and connect, says Matthias Kurth
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CommentThe story behind a successful Korean co-pro
The Bridge founder Amanda Groom this week won an award for the Most Significant Contribution to the UK-Korea TV Creative Collaboration at an event organised by the London Korean Drama Club. Here she reveals the story behind RTS Award-nominated S4C film Tears of Blood, which was co-produced by a Korean ...