Comment – Page 2
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Streamers must stop hiding behind the big numbers
Lack of transparency over ratings is confusing for viewers – and may even be hurting the platforms’ smaller shows, says Scott Bryan
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Why The Queen’s Gambit gets women so right
Female characters are often portrayed as dependent on men for their happiness, but Netflix’s chess drama makes no such mistakes, says Joanna Tilley
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AVoD’s unintended upside
Free, ad-supported on-demand services can be the digital era’s free TV, says Chris Sharp
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Unpicking ratings has never been trickier
Reaching younger viewers is hard – but still achievable, writes Danny Brocklehurst
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Analysis: Netflix results mask coronavirus threat
A slowing of the original content pipeline will reveal itself later this year, writes Jonathan Broughton
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Pressure on at Disney as Chapek takes reins
Kate Bulkley assesses how outgoing chief executive Bob Iger will work with successor Bob Chapek to secure his legacy
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Appeal to youth or become irrelevant
Bold, targeting programming that attracts 16-34s is the only way for broadcasters to survive, says Richard Pickering
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Brexit will heat up VoD battle
FAANGs will be in an even stronger position without oversight from EU, says Kate Bulkley
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SVoDs throw down the gauntlet
Can UK broadcasters rise to streamers’ public-service challenge?
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Byrne, BritBox and a fresh prince
Broadcast looks back on a year of SVoD launches, licence fee rows and a car-crash interview
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Netflix must adapt to flourish
With just a single revenue stream, the streamer is in a tough spot, says Simon Woodcock
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BritBox deserves more respect
Service will ensure PSBs aren’t left out of the streaming revolution
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SVoDs put faith in franchises
Big brands are essential in helping new players build a subscription base, says Kate Bulkley
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Viewers expect access anywhere
Tech offers a solution for when EU portablity rules no longer apply, says Charlie Johnson
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Why investors still back Netflix
It’s right to question the SVoD’s debt burden, but its model is sound, says Linda Sullivan
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Streaming is TV’s next gold rush
Producers and hit franchises are set to benefit from the coming SVoD battle, says Kate Bulkley
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Netflix launches charm offensive
The digital giant knows it needs friends in the coming SVoD war
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Bingeing or savouring – what’s best?
More release models are emerging as platforms start to experiment
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Linear TV is still the best bet for UK production companies
Rise of the SVoDs doesn’t necessarily equate to more orders for indies, says Danny Fenton
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Why Netflix has no room for critics’ darlings
Tuca & Bertie’s swift cancellation symbolises the streamer’s increasingly cynical content strategy, says Jack Genovese