Comment – Page 85
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CommentC4 left to reflect on Black Mirror loss
Netflix deal with Endemol Shine has really stung, says Kate Bulkley
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CommentBroadcast International - and how ESG is facing start of new era
Broadcast has always had broad horizons, but to mark next week’s Mip TV we have given this issue a truly global perspective.
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CommentThink commercial to get ahead in the US
In such a competitive market, originality counts - but ratings are king, says Ricky Kelehar
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CommentIncrease in start-ups will help to reinvigorate TV
Risk-taking entrepreneurs are the lifeblood of our industry, says Clare Thompson
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CommentTV is taken far too seriously
Will the press ever tire of these non-stories? asks Steven D Wright
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CommentC4 privatisation would be catastrophic for UK indies
The production sector needs to unite to fend off Tory plans, says Edmund Coulthard
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CommentBeazley is Branagh "imposter"
Former BBC head of entertainment Jon Beazley has long enjoyed flattering comparisons to Kenneth Branagh.
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CommentThere’s no better training than working on a live OB
Experience on these difficult productions is invaluable for directors, says Ian Russell
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CommentDiversity? Janet Street Porter had the right idea
‘Yoof ’ TV pioneer hired people based on talent, not background, says Len Brown
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CommentIt's TV, but not as we know it
Our definition has to change to fit the audience, says Kate Bulkley
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CommentStability returns to market
After much consolidation the previous year, 2015 was a relatively quiet period for ‘true indies’. But while the economics are improving, long-term sustainability remains a problem for many
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CommentLet’s protect C4’s unique remit
Privatisation is a solution to a problem that does not exist
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CommentWhy we all must take risks on emerging comedians
TV needs to act decisively or there won’t be a new generation of talent, says Iain Coyle
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CommentComedy works perfectly on social media if done well
Twitter is great for continuing the laughs once the show has ended, says Laura-May Coope
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CommentGolden age? You must be joking
Comedy is subjective but the quality is as high as ever, says Phil Clarke
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CommentCharlotte Moore gets defensive – again
BBC controller can’t simply ignore criticism over distinctiveness
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CommentReinventing drama for Kenya
Lisa Sabina Harney’s debut as a series director took her to Nairobi, with a mission to empower women on- and off-camera.
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CommentTime for indies to engage in future of kids TV
Making children’s TV is a job, not a hobby, yet still producers must fight to get it taken seriously, argues Tony Collingwood
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CommentTV has a lot to learn about supporting working mums
Other industries find flexible solutions so why can’t this one? asks Rakhee Rajani