Comment – Page 19
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Building the best for Birmingham
Over 34 series of The Gadget Show, North One and Channel 5 have ensured regional voices get heard, writes Neil Duncanson
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Addressing the balance: changing landscapes in broadcasting
Greg Burns, head of media products at Arqiva, looks at how broadcasters can balance linear and OTT going forward
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Time to ‘open doors’ for deaf media professionals
See Hear series producer Camilla Arnold urges TV industry to do more to recruit deaf people
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How remote cloud working enhances security
Jon Mason, CEO and co-founder of Hotspring on the security advantages of remote working in VFX
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Adopt the ‘grow-pro’ model to give a leg up to smaller indies
Both sides would benefit if the bigger players were required to join forces with smaller firms to land a commission, says Faraz Osman
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Black talent need chances to make it in the mainstream
Commissioning for Black History Month is one thing, but diverse casting all year round would make a bigger difference, says Fatima Salaria
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Social realism is helping broadcasters in SVoD battle
Series like C4’s It’s A Sin would never be greenlit by an SVoD – but they should, says Danny Brocklehurst
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Practical challenges make commissioning so hard
Our survey suggests that being swamped by email poses more problems than fostering creativity
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Commissioner Survey: in a nutshell
‘Commissioners will always be the subject of debate and speculation, but this is their chance to tell their own side of the story’
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Bullying isn’t just about ‘a few bad apples’
The issue is systemic, according to the authors of Bectu’s report into unscripted management practices
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Go green or go home: sustainability in media productions
Craig Wilson, product evangelist at Avid, on how you can reduce the costs of TV production while reducing the carbon impact it has on the planet
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The past, present, and future of TV technology
To mark World Television Day, heavyweights from the TV technology industry speak about what’s to come
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How Jamie Johnson tackled racism for CBBC
It was time our children’s football drama addressed the issue, says Anita Burgess
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Why Strictly’s ‘silent dance’ was so important
Rose Ayling-Ellis and Giovanni Pernice’s extraordinary routine reminds producers why purposeful entertainment is so powerful, says Matt Campion
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Comment: It's time for a mass migration to the cloud
Neil Anderson at Codemill explains how a cloud-native way of working adds efficiency, scalability and remote accessibility
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In My Skin helped me unpick a lifetime of shame
BBC3 drama’s return shows truth is essential to successful scriptwriting, says Kayleigh Llewellyn
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Black hosts shouldn’t be seen as ‘risks’
My Channel 4 series The Money Maker was a rare example of a black business expert on British TV, says Eric Collins
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Distinctive domestic content is key to our national identity
Streamers have brought more choice but the PSB model must be protected, says Peter Bazalgette
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Comparable data will benefit the commercial broadcasters
A cross-media measurement service puts TV in a better position to compete for advertising with the online giants, says Kate Bulkley
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Time to stop undervaluing our production managers
They are the backbone of every show and their worth must be acknowledged and properly rewarded, says Lorraine Heggessey