Comment – Page 77
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CommentThe great regulatory wrangle
Despite a tough economic outlook, TV can take care of its own affairs, writes Emily Bell.
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CommentWhy should STV be considered an indie?
Pact is deeply concerned that the current proposal to award STV Productions independent status will have a severe detrimental effect on local independent production companies and their ability to compete.
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Comment26 Oct, '09
“Gentle, incorrigibly romantic about nature.” Read on for the verdict on last night’s TV.
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CommentDigital Britain: Its impact on regional news
Director of Twofour Digital Phil Haggar on the impact of the Digital Britain report on regional news.
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CommentHow TV programmes normalised Tourette’s
Alison Walsh, editorial manager, Disability, Channel 4
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CommentSuper Saturday and the new beer brand strategy
Alex Brown, head of sport & entertainment (UK) at EssenceMediacom, looks at how branded content is changing in rugby
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CommentKSI, Dagenham & Redbridge, and the rise of creator-led sport
Michael Oliver, senior campaign director at The Goat Agency, looks at what the future of football club ownership could be
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CommentIf in-game ads help keep sport on free-to-air TV, I’m all for it
The PHA Group’s Ollie Rumbold explains why he backs ITV’s recent in-play ads during the Six Nations
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CommentComment: How League of 72 Redefined EFL Content for Digital Fans
After Party Studios’ Dave Horner explains how the re-launched Sky Bet and EFL partnership channel has doubled its following and achieved viral moments
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CommentDigital may be the new frontier - but does it have a woman problem?
Ahead of International Women’s Day, Bronagh Monahan warns the wealth of talented women in the digital space mustn’t be overlooked
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CommentComment: How VFX is evolving to cater to a changing marketplace
Mark Benson believes VFX supervisors and artists are leading the charge in meeting the complex demands of new platforms and formats
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CommentHow FIFA’s TikTok deal redefines the World Cup model
StackAdapt’s Ed Mullins believes social media could trump broadcast rights at the World Cup
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CommentWhat professional VFX artists actually need from AI
Hoon Kim, CEO of Beeble.ai, looks at what the industry needs from AI tools
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CommentSol Papadopoulos: Liverpool is proof that the TV industry thrives when it thinks beyond London
The executive chair of the Creative Cities Convention on the continuing transformation to ensure the industry reflects the country it serves
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CommentHow AI can remove friction but not remove craft
Chloe Dean explains that post facilities need clear frameworks around AI to ensure it serves the craft rather than undermines it
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CommentRoy Ackerman: Lower budgets will shift the network/producer dynamic
Network executives are going to have to reduce their involvement in the production of low-cost TV programmes