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With the corporation facing tough negotiations over charter renewal and the licence fee, Neil Midgley takes a look at where further cuts might be made
BBC1’s adaption of Susanna Clarke’s novel takes the viewer on a journey into a fantastical world - but always remains grounded in reality. Benji Wilson finds out how it was done
Drones and GoPros helped us capture the busy English channel on a daytime budget, says series producer Rebecca Nunn
When we gave our researcher his dream assignment, a new star presenter was born, says series producer/director Jamie Balment
When Wimbledon Studios went into receivership just before shooting began on Episodes’ fourth series, producer Debs Pisani had her work cut out keeping the production on track
The tropical setting of the Cook Islands and legends surrounding Maori culture inspired BBC3’s new drama about two backpackers caught up in a mystery.
BBC1’s adaption seeks to do justice to the books of Winston Graham and the elemental passion of the Cornish landscape
The past’s comic potential remains undimmed - it just needed a new twist, as Paul Whitelaw discovers
From landscape to wildlife, shooting exteriors for Jimmy McGovern’s period piece in Australia gave it a hard-to-replicate authenticity.
It took two years to gain the trust of the leopards we were filming. It was worth it, says Brad Bestelink
Boundless’ small production team had to work as hard as our subjects in our global adventure
We used a mix of animation and live-action to teach kids about the world around them, says Chris Wood
Anthony Geffen reveals how winning trust was key to capturing parliament as it’s never been seen before
The trial of the Nazi war criminal was also the birth of mass media, discovered producer Laurence Bowen
The team behind BBC3’s new sitcom set in a young offenders institution talk to Paul Whitelaw about spotting fresh talent and creating comedy gold
Controller Kim Shillinglaw inherited a channel in rude health, but she is looking for revealing new filming techniques and shows that are young at heart
Six years on from our original idea, the timing is finally right for our kids’ robot drama, says Jez Swimer
With stunts involving helicopters and a moving train, the first series of the The Wrong Mans was hard to top, says Jim Field Smith.
When the complex weather phenomena we wanted to study couldn’t be found, we had to make our own, says Graham Booth
A supernatural meditation on ageing and a return to his Yorkshire roots lures Michael Palin back to TV drama
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