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We used a mix of animation and live-action to teach kids about the world around them, says Chris Wood
Anthony Geffen reveals how winning trust was key to capturing parliament as it’s never been seen before
The trial of the Nazi war criminal was also the birth of mass media, discovered producer Laurence Bowen
The team behind BBC3’s new sitcom set in a young offenders institution talk to Paul Whitelaw about spotting fresh talent and creating comedy gold
Controller Kim Shillinglaw inherited a channel in rude health, but she is looking for revealing new filming techniques and shows that are young at heart
Six years on from our original idea, the timing is finally right for our kids’ robot drama, says Jez Swimer
With stunts involving helicopters and a moving train, the first series of the The Wrong Mans was hard to top, says Jim Field Smith.
When the complex weather phenomena we wanted to study couldn’t be found, we had to make our own, says Graham Booth
A supernatural meditation on ageing and a return to his Yorkshire roots lures Michael Palin back to TV drama
The creators and stars of BBC1’s new thriller speak to Olly Grant about keeping on top of its time-shifting plot
Ahead of the festival, two leading natural history producers discuss their latest work
BBC Academy college of technology’s Andy Wilson outlines how producers can comply with AS-11
The veteran journalist talks about returning to Northern Ireland and the future of current affairs programming
A show with a cast of 170 puppets and a giant set that completely filled the studio was a huge logistical challenge
Have the traditional features that lured viewers in their millions had their day?
With months spent hanging around mortuaries this was not a job for the squeamish
Richard Curtis has lured Dustin Hoffman and Judi Dench to BBC1 for his Christmas adaptation of Roald Dahl’s Esio Trot.
Having such a talented and experienced cast was a real blessing, says Paul Schlesinger
Broken down tanks, torrential rain and real soldiers playing extras added to the authenticity, says Sue Horth
Fran Unsworth talks about accusations of bias in the Gaza conflict and getting more women on air
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