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The opportunity to make a series about a major British institution doesn’t usually just fall into your lap, says Katie Buchanan
As Sir Killalot, Matilda and the rest of the Robot Wars gang prepare for their TV comeback, Olly Grant visits the giant set where the souped-up veterans will take on the next generation
Russell Levin highlights the challenges of trying to film 300 tonne aircraft taking off from the coldest city on earth.
What started as a personal story for executive producer Liz McLeod became a technical jigsaw puzzle for director Alicia Aarce
We warmed up many of our contributors over a pint - but we had to out ourselves as lightweights, says Kelly Close
Our fictionalised take on Nina Stibbe’s book tries to shine a light on the every day with wit, heart and visual flourish, says Jamie Laurenson
Convincing children that ‘old stuff ’ is worth watching is one thing; curbing contemporary slang on set is quite another, discovered David Collier
Key scenes finally clicked once we changed continent last-minute, says producer Richard Stokes - while director James Hawes battled to make a riot look real.
Capturing animals in flight in some of the world’s toughest locations required some unorthodox kit, says Simon Bell
Eddie Izzard’s Sport Relief challenge was an endurance test for the production team too, says executive producer Nick Catliff
Getting a commission turned out to be the easy bit - the real test was losing our location and having to build three new sets in a building with a leaky roof, says Stellify’s joint managing director Matthew Worthy
When you have naturally funny performers like Doon Mackichan, Elaine C Smith and Sharon Rooney in your cast, you’d be crazy not to take their opinions on board, says Simon Carlyle
Films of Records’s Neil Grant on partnering with advertising agency JWT Entertainment.
We went full ‘method’ in recreating the stag do from hell in the Scottish Highlands, says Jim Field Smith
You learn to be patient when there’s no guarantee you’ll be able to use the cases you’re following, say Sara Hardy and Blue Ryan
Commissioned before BBC3’s online move was set in stone, Thirteen had to shift from a traditional production road map to one that embraced all things digital.
Acclaimed Danish film director Susanne Bier waited 25 years to make her TV debut - with a thriller that had taken almost as long to get to the screen.
Our BBC iPlayer film presented two huge challenges: combining comedy and tragedy, and making non-professionals look like geniuses with a snooker cue, says Barney Reisz
On a vast Victorian street set in a warehouse in west London, James Rampton hears how Red Planet took a light-footed approach to its rummage through Charles Dickens’ brain
At more than 1,400 pages, adapting War And Peace as a six-part drama was not for the fainthearted. Olly Grant meets the director, producer and crew charged with bringing the epic story to life
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