Features – Page 51
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Behind The Scenes
Dunblane: Our Story, BBC2
A piece of kit inspired by Errol Morris’ famous ‘Interrotron’ was key to helping contributors feel comfortable about opening up on camera, says Stephen Bennett
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Behind The Scenes
Stag, BBC2
We went full ‘method’ in recreating the stag do from hell in the Scottish Highlands, says Jim Field Smith
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Behind The Scenes
Born to be Different, C4
Joining the production 15 years in, it was touching to see the rapport the crew had built with families, says Laurence Turnbull
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Behind The Scenes
Dogs Might Fly, Sky 1
We had experts from Spectre and Top Gear on hand to train up our dogs - and 40,000 sausages, says Caroline Hawkins
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Behind The Scenes
Churchill's Secret, ITV
ITV’s one-off drama reveals a hidden, vulnerable side to Britain’s WWII leader as he copes with family tragedy and encroaching old age.
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Features
Light entertainment feels the squeeze
With the likely closure of Fountain Studios, shiny-floor shows could struggle to find space within the M25, but expansion elsewhere should ease the problem.
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Behind The Scenes
The Prosecutors, BBC4
You learn to be patient when there’s no guarantee you’ll be able to use the cases you’re following, say Sara Hardy and Blue Ryan
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Ratings
Ratings analysis: multichannel scripted comedy
Digital channels often struggle to attract the kind of audiences enjoyed by their terrestrial rivals, but comedy has been one way for them to compete. Stephen Price reports
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Behind The Scenes
David Baddiel On The Silk Road
Our trek along the ancient trade route from China to Istanbul took months of planning - but our best stories came from the things we didn’t expect, says series producer Glenn Swift
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The Broadcast Interview
Sally Woodward Gentle & Lee Morris, Sid Gentle Films
The duo behind drama indie Sid Gentle Films tell Robin Parker why they’re seeking out leftfield talent - and what this means for diversity in the industry
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Behind The Scenes
Thirteen, BBC3
Commissioned before BBC3’s online move was set in stone, Thirteen had to shift from a traditional production road map to one that embraced all things digital.
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Features
International: China Focus
China is hardly renowned for its high-quality television drama, so how did a British team end up penning a 40-part detective series for Chinese TV?
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The Broadcast Interview
Susanne Bier, The Night Manager
Acclaimed Danish film director Susanne Bier waited 25 years to make her TV debut - with a thriller that had taken almost as long to get to the screen.
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Features
Factual channels eye premium projects to fight digital disrupters
Peter White investigates the challenges facing broadcasters and producers in the international factual world following this year’s supersized Realscreen event in Washington, DC.
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Behind The Scenes
First Dates, C4
Feeling the series was lacking something, we brought in our own staff to give the restaurant an identity - and provide some familiar faces to keep viewers coming back, says Nicola Lloyd
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Behind The Scenes
Behind the Scenes: risk and reward at The Jump
It may be known as the most dangerous show on the television, but there are some risks even The Jump won’t take.
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Behind The Scenes
The Day Hitler Died, ITV
A treasure trove of archive interviews was the key to unlocking our Hitler doc. The next step was to rebuild his bunker, says Sue Summers
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Ratings
Top 10 shows of 2015: by genre
Downton Abbey, Britain’s Got Talent and The Great British Bake Off ride high in our breakdown of the year’s biggest shows - by genre.
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Features
Piers Wenger, Channel 4
Aliens, Islamic State and dot.com millionaires are all on Channel 4’s scripted slate. Head of drama Piers Wenger tells Robin Parker what is hitting the broadcaster’s sweet spot
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Behind The Scenes
Ten Pieces II, BBC2 / CBBC
For our cinematic take on orchestra performance, we shot ten music videos in two days, reveals Serena Cross