Features – Page 27
-
Features
Love For The Ages
‘It’s fun and frothy, with just the right amount of controversy to make it a hit’
-
-
Features
A Cut Above
‘The series is pretty universal in the structure but still has a Canadian feel’
-
-
Features
The English
‘Everything feels huge and cinematic. It doesn’t feel like an everyday piece of television’
-
Features
The Light In The Hall
‘It is a compelling, highly emotional, psychological drama that grows to be about much more than finding a body’
-
-
-
Features
Mipcom Hot Picks: UK scripted
Spanning 19th century Wild West to World War II, our UK scripted titles travel from the epic to the intimate
-
-
-
-
Behind The Scenes
Trawlermen: Hunting the Catch, BBC1
Executive producer Jamie Balment on casting and co-ordinating a show at the mercy of the elements
-
Behind The Scenes
Dal y Mellt, S4C
Producer Llyr Morus on why filming a Welsh language drama about a diamond heist wasn’t all plain sailing
-
Features
Concern over rising costs as growth returns
Production cost inflation and access to rights are the chief causes of anxiety for this year’s survey respondents
-
Features
Distributors Survey 2022: Distributors bounce back after Covid
Revenues up year on year as production gets back on track, but still below pre-pandemic levels
-
Features
Peer Poll: All3Media International wins five in a row
Friendly and personal approach puts It’s A Sin distributor top for fifth consecutive year, while Abacus makes survey debut
-
The Broadcast Interview
Fifth Season bids to be a borderless business
Graham Taylor & Chris Rice on their ambition to source projects from around the globe and leave the industry better than they found it
-
Behind The Scenes
Don’t Hug Me I’m Scared, Channel 4
Executive producer James Stevenson Bretton on turning six-minute YouTube videos into half-hour sitcom episodes
-
Behind The Scenes
Escape From Kabul Airport, BBC2
Director and producer Jamie Roberts on the inside story of the Taliban takeover of Afghanistan