Features – Page 33
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Behind The Scenes
Our House, ITV
Red Planet Pictures’ stripped drama plays in the present and past, which provided us with multiple challenges, says producer Tom Mullens
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Behind The Scenes
The Ipcress File: giving the spy classic a modern spin
Exec producer Will Clarke & director James Watkins on retaining the feel of the 1960s film while giving their ITV adaptation a modern sensibility
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Behind The Scenes
Bad Love: Why Did Fri Kill Kyle?, BBC3
A multi-perspective approach helped bring balance to this emotive doc, says producer/director Danielle Spears
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Features
Roundtable: the ups and downs of running a small indie
Sohail Shah, Louis Bamber, Ed Stobart and Emily Dalton discuss the advantages and challenges of running a smaller production business
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Features
Love In The Flesh
‘This could provide a more acceptable way into that TV community because of its authenticity’
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Dream Home Makeovers With Sophie Robinson
‘It’s about everyday transformation, and that’s what makes it so applicable to the international market’
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Features
Murder: First on Scene
True-crime, high-end history and specialist factual all feature in programmes most likely to grab the attention of buyers
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Features
Cops On the Rock
‘Yes, it’s true crime, but it feels premium factual because of the nature of the programming and the way that Rare sells things’
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Features
Top Takeout
The ever-popular realms of dating formats and cookery competition shows are given new twists in our selection
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Features
Question Team
‘Everyone’s trying to make a buzzy show while adhering to Covid regulations - Question Team really ticks off a lot of boxes”
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Features
The Twelve
‘This is a high-end, hard-hitting, voyeuristic story, with an element of whodunnit’
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Features
Mobile 101
‘It’s the story of an underdog, and audiences nowadays seem to gravitate to recent history true stories’
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Features
International scripted
Courtroom character stories mingle with regal and civil rights period pieces, while high-concept sci-fi sits alongside misfit vampires
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Features
After The Trial
‘Because of the nature of the show, it is something that we think will be very transferable’
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