Features – Page 42
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Behind The ScenesLenny Henry's Got The Blues, Sky Arts
Lenny Henry wanted to know why there are so few black British blues singers. The story we uncovered was far more colourful and complex than we ever imagined, says Chris Wilson
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Behind The ScenesThe Boy Who Wanted His Leg Cut Off, BBC3
BBC3 took a risk with our doc, but it was a human story worth telling, says Jazz Gowans
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Behind The ScenesMan V Viral/Experimental, Channel 4
We wanted a brave, athletic and charismatic stuntman to recreate the crazy clips we’d seen on the internet, says Jago Lee. But instead we chose west London’s answer to Woody Allen
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The Broadcast InterviewJulian Bellamy, ITV Studios
Fresh from welcoming Mammoth Screen and Twofour Group into the ITV Studios family, Julian Bellamy talks to Matthew Campelli about building a creative powerhouse - and the importance of getting the chemistry right
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Behind The ScenesSupershoppers, C4
Firecrest’s Nicole Kleeman on combining satire with stunts to create a new kind of consumer programme
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Behind The ScenesCuffs, BBC1
First-time director and former rally driver Nick Rowland is in the hot seat for the climax of BBC1’s pacy crime series. Adrian Lobb visits him on set
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Behind The ScenesDispatches: Escape From Isis, C4
We were prepared for harrowing tales of life under Isis, but never expected positive stories to emerge from the horror, says Edward Watts
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Behind The ScenesThe Outcast, BBC1
Novel, film or TV series? BBC1’s new drama has been all of these at some point in its development. Olly Grant hears about its unusual journey to TV
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The Broadcast InterviewJon Rolph, Retort
Retort managing director Jon Rolph talks to Matthew Campelli about the lack of working-class heroes in contemporary comedy - and his ambition to create something for everyone
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Behind The ScenesCBBC Official Chart Show
Our young production team had no previous experience of working in television, but stacks of ability and the confi dence to take on anything we threw at them, says Steve Wynne
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Behind The ScenesThe Bank, BBC2
We ditched the fixed rig for our bank doc when we realised where the real action was, says Zac Beattie
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Behind The ScenesHumans, Channel 4
Getting the look and movement right for our ‘synths’ was no small task, says producer Chris Fry
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The Broadcast InterviewSteve November, ITV
ITV director of drama Steve November tells Matthew Campelli about his plans to refresh the schedule after Julian Fellowes’ hit period piece comes to an end later this year
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The Broadcast InterviewTony Hall, BBC
Director general Tony Hall on the challenges facing the BBC and why the public must be involved in the licence fee debate
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Behind The ScenesThe Interceptor, BBC1
Car chases through London and a takeover of Waterloo station required precision planning and tight budget control, says Patrick Schweitzer
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Behind The ScenesBritain's Busiest Airport, ITV
Ensuring our ob-doc series would avoid becoming a puff piece for the UK’s biggest airport demanded buy-in from every corner of this ‘mini city’, writes executive producer Tim Wardle
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Behind The ScenesThe Tribe, C4
With long days, floods and intense heat, C4’s first foreign fixed-rig series took me out of my comfort zone, says Paddy Wivell. But focusing on the basics of storytelling carried us through
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The Broadcast InterviewSean McAllister: A Syrian Love Story
Seasoned documentary-maker Sean McAllister talks to George Bevir about filming during the Arab Spring, and why commissioning editors should reject the urge to play it safe
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Behind The ScenesT. Rex Autopsy, Nat Geo
Building a full-size, anatomically correct model of a T. rex that could be dissected on TV was a labour of love that took months of painstaking work. Olly Grant finds out how it was done
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The Broadcast InterviewRicochet
It’s been a busy time for Ricochet since Jo Ball became chief exec last year, with Katy Thorogood joining Simon Knight to help expand the indie’s slate. Hannah Gannagé-Stewart meets the trio