Features – Page 174
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FeaturesThe Hollow Crown
Online, grade and titles for the 3 x 120-minute adaption of Shakespeare’s historical plays.
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FeaturesKids are the stars at Mip TV
Cannes may have been quieter than usual, but kids’ talent shows were hot property, while studio gameshows made a comeback. Peter White reports on the market’s key trends
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FeaturesRoundtable: Making the case for MAM
Media asset management systems are a hot topic in TV, but when should you invest in one? The issue was top of the agenda at a recent Broadcast breakfast meeting. David Wood reports
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FeaturesSky Sports: 25th anniversary special
Sky Sports has changed the face of broadcasting since it burst onto the scene 25 years ago. Michael Burns looks back at its many technological innovations - and what’s coming next
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FeaturesUK Animation: international perspectives
As part of a three-day ‘Boris tour’ organised by Film London an international delegation of animation experts dropped in at the UKTI-supported CMC Animation Exchange event in London. In this two parter, we reveal what the execs thought of the UK market, government funding and international co-production.
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FeaturesDigital Video: adjusting to a digital future
As video-on-demand and catch-up become destinations in their own right, five leading digital experts debate how this development will affect broadcasters. Ann-Marie Corvin reports
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FeaturesTV music: what’s the score?
The much improved range offered by production music libraries is a bonus for programmemakers, but commissioned music can take a show to another level, says Adrian Pennington
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FeaturesThe rise and fall of tape
With Sony ceasing sale of its tape machines in March, some 60 years after Ampex’s two-inch quad machine was first unveiled, UK Screen chief executive Neil Hatton rewinds to the start of the story
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FeaturesFaster than a ray of light
Lytro’s light-field cinema camera could revolutionise film-making, while developments in holographic display are bringing Star Wars-style technology closer to reality
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FeaturesThe Sporting Mavericks
Provide full post-production on the 4 x 60-minute series focusing on uniquely gifted sportsmen from the worlds of snooker, motorsport, boxing and darts.
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FeaturesRoss Kemp's Britain
Provide full post-production services on the 3 x 60-minute, hard-hitting documentary series for Sky 1, in which Ross Kemp explores some of the most challenging issues facing Britain today, including immigration, alcohol and child abuse.
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FeaturesUK Animation: International perspectives
As part of a three-day tour organised by Film London, an international delegation of animation experts dropped in to the CMC Animation Exchange in London. In the first of a two-part feature, Broadcast reveals what the visiting executives thought of the UK market, government funding and international co-production
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FeaturesPaul O'Grady: The Sally Army and Me
Grade, audio and online for a 6 x 30-minute series that coincides with The Salvation Army’s 150th anniversary and explores O’Grady’s lifelong passion for the organisation.
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FeaturesCan't Touch This
Create branding and on-screen graphics for the show in which 16 contestants try to claim prizes while navigating their way around a giant obstacle course.
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FeaturesHot Picks: Insta Traveller
Broadcasters around the world are searching for ways to appeal to younger viewers. Norway’s NRK3 thinks it may have found the answer in the form of a travelogue with a twist.
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FeaturesHot Picks: Drive
Top Gear has rarely been out of the news over the past 12 months, with multiple controversies, new hosts and a star-studded launch for international buyers at BBC Worldwide’s Showcase event (not to mention the former presenters’ rival show for Amazon) all making the front pages.
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FeaturesHot Picks: The Innocence Network
True crime is a tough genre to crack, with unpredictable storylines and drawn-out court cases. No group understands this better than The Innocence Network, a group of 69 international organisations that attempt to exonerate unjustly convicted men and women around the world.